Originally posted by wayne james no expert, here these were shot in the afternoon sun with a pentax 77 @ f1.8
No, perhaps no expert, but the shots do show some of what i was talking about.
If you look closely at the shots, you can see the impact of uniform illumination through out what would be the circle that a point would generate. You can see what appear to be well defined wide arcs and lines from What must have been blades of grass or plant leaves. Where the edge of the out of focus appears, it is still a relatively hard line. Although if tie illumination of the out of focus area was brighter at the edge, it could be much worse
---------- Post added 05-25-2014 at 01:13 AM ----------
Originally posted by micromacro PhD on bokeh.Wow!
Thank you for such a detailed technical explanation. However the evaluation "good-bad bokeh" will be a quite mystery for me. From an artistic point of view I mean.
But it does not need to be a mystery. That is the point. The guy doing the PHD was doing it in advanced optics and math. Ok fine, very complex to make a quantitative analysis, but if you break things down to individual components, and try each component, you can get a qualitative understanding
Maybe set some "guidelines"
-Long better than wide
-round aperture better than geometric
-background further away from subject
-bigger background subjects better than small. Bigger =blotchy , small=confusing
The other thing to consider is aprochromatic lenses are not always the best, lenses with some lateral and longitudinal CA (read this as older lenses) can produce much better bokeh due to the separation of color in the background. This leads to less defined edges.
This last point is why some old lenses are sought after. Remember , every lens has a purpose, and it is your job to play with your gear until you know what every lens can do in every situation.