Hi guys, thanks for your replies
Originally posted by Adam You should almost always disable SR in video mode with the K-3, because the camera doesn't offer mechanical stabilization and only offers the poor electronic solution, which can result in the nasty side effects you're seeing (especially when the camera is already stabilized by a tripod or monopod).
Now I know it and will certainly do in the future. I don't shoot video very often and I don't care much about video features, but it's a "nice to have" for occasional use. Now I know
Originally posted by stevebrot Electronic stabilization is driven by inertia and detected by an array of microgyros on the main board. Movement within the frame will not trigger video SR on the K-3 (I just checked). I just reviewed your clip and there is a general upward drift* of the frame from start to finish with a much smaller leftward drift. also. The branch is moving quite a bit throughout the clip (is floating), but the jerking motion and frame shift affects the rocks visible on the stream bed too. If it were my clip, I would suspect the head was not fully secure and may have been assisted by a breeze. Were you using suspended weight from the tripod?
Let's just assume we don't know if it was on.
Video SR is set separately from still photo SR with the setting retained between sessions and power cycles.
Steve
* ...meaning that the subject is drifting downward
Good point. I was supposing the SR system analyzed the scene instead of using the gyroscopes (as for the mechanical SR). In this case, I was on a pretty sturdy tripod (Brelebach + Sirui billhead). Not the highest end carbon tripod, but good wooden tripod. The ballhead is also a "mid range", decent ballhead. With the lens well balanced on its collar, I don't think there was much motion at all. And I was sheltered from wind in a tent, also
Originally posted by clackers Have to switch SR (electronic or mechanical) off when a camera's on a tripod, Azergoth!
For video, I trust you. But for stills, I've never turned it off and it has never been an issue. And I shoot quite a lot nightscapes and have had any trouble. I'd be happy to be proven wrong, though, but I think this is more of a myth of the early days than reality.
Originally posted by PDL I suggest that you look at your focus mode in LV. (pg 46 in the manual)
Focus mode set to "Tracking"
"Tracks the subject in focus.
The shutter can be released even if the subject is not in focus"
I propose that the camera is seeing the water and focusing on its movements, therefore giving the "jerky" motion which is remarkably synchronized with the "flow".
A suggestion, not a end all, but change the focus mode in LV.
Indeed, I was thinking something similar but regarding SR. I use back button AF, so no AF here.
Originally posted by stevebrot I wondered about whether the rule applies to electronic SR. I did a couple of clips with my K-3 and there was no SR artifact that I could see with camera on my heavier tripod. I changed to a longer lens (very heavy 70-210/3.5 Tamron 19AH), unbalanced on head, and physically thumped on the tripod legs and was unable to get the frame to jump. I don't know how things might be with a lighter tripod at full extension or with the legs set in a moving stream, however.
Steve
Originally posted by stevebrot Is this the same DA* 300mm that you are using a piece of foil on as a temporary power contact until the replacement part comes?
Steve
Yes it is. If I remember well, it's the day before it broke. Or was it already broken and has it impacted the SR? Anyway, I use back button AF, so it shouldn't batter, right?
Originally posted by PDL To me it appears that the sensor is locked onto the highlights of the water - moving left to right.
That's why I was thinking about a SR issue
---------- Post added 08-20-19 at 11:59 AM ----------
Ok, I have in fact other videos from those days. Some look "good" and some are also "jerky". But they were shot in the same conditions and with the same settings. So, granted, their cinematographic quality is open for debate, but some are "good" and some bad.
This one is stable, not much water in the scene:
This one, on the other hand, is also jerky. Note the abundance of water in the scene:
Less water and stable again: