Originally posted by cristianmiu Over the weekend i will drain my camera battery testing various jpeg settings.
I will get back with results after
Thank you!
I have not used a K-3, so I am not familiar with whether its processor has a variance compared to other Pentax bodies of my experience in terms of setting sharpness, etc. as well as its metering properties for exposure. In the past, I owned some that did and also tended to underexpose some, and required correction one way or another at times. The K200D and K20D come to mind. The K-5 series did so but far less. I still use the K-5 IIs quite a bit, which is a fine camera, and its processor is capable of producing very fine JPEG images. Likewise with the subsequent KS-2 and now especially the KP, neither of which tend to underexpose. The metering of the KP and its processor for JPEG images are quite outstanding.
With all of these models, including adjusting compensation for any exposure differences, I use the following settings- As to the defaults for adjustment increments- your camera might come set as 1EV steps for adjustment (including exposure comp, ISO, etc) but I generally set mine for 1/3 EV steps for more refinement of incremental change.
As to JPEG images, Pentax has more control by the user than others have, as far as I know. Quite exceptional, in fact. In the Custom Image menus, for most usage, the best setting for all-around good results is the "Bright" category, which is default except for when the mode dial is set to the green auto mode, then the camera will decide which category it will choose according to what it "thinks" is being done. So the green auto mode is something I never use. If you access the Custom Image menus, then the menu of the Bright" category, you will probably find the sharpness level will be up by one extra notch, which is ok. This is default for this category. Likewise with the contrast setting. If you tab down to the sharpness setting, I recommend to also add "Fine Sharpening" using your rear thumb dial. Color saturation might also be more intense in this category, which is usually fine.
For exceptionally high contrast scenes, you might sometimes wish to switch to the "Natural" category, as it has a more toned-down color palette, and a normal contrast setting. You can if desired, increase the sharpness level in this category to match that in the "Bright" category, and add "Fine Sharpening" here as well. If you want to avoid an over-flushed look in photos with people, this category is a good option. But if it is a scene emphasizing lots of colors, maybe leave it on "Bright".
I don't recommend increasing any sharpness aspect in the "Portrait" category, which has a color palette optimized for for this purpose.
Your photos look good for the most part. The ones you complain about are evidently sub-par due to a lack of understanding lighting and how your camera's meter reads that lighting. Aperture choices and use of focus points seem to also play a role. There are some backlit scenes causing a murky result.
Here are some pointers:
As you can see from pschlute's 3 shots above, taking into account the lighting and where it is coming from is of extreme importance. If in his scenes the lighting had been mostly coming from behind the mountains, or from behind and to one side, there would be problems to deal with. If the sky were then properly exposed, you'd have mountain silhouettes. If you just fired the camera and got a general overall exposure, you'd then get an overexposed sky and indistinct mountains. His shots were taken later in the day when the sun was still strong, but at a good angle and from behind him, flooding the entire scene. At that angle, the sky will also be more blue.
Remember- opening your lens to a larger aperture (smaller number) lets In more light so you can get a higher shutter speed, important when light is low and doing hand-held shots, and for live subjects or the effects of wind. A high enough shutter speed can freeze these motions, as well as compensate for the inadvertent slight motion of your own body, all of which could cause lack of sharpness. A larger aperture will also reduce depth-of-field (DOF) to blur the background which will isolate a subject of interest you are focusing on, making that subject stand out more from that background.
However, in certain scenes, you may want that subject (the foreground) AND the background to look sharp, in which case you will need to close you aperture more (stop it down- smaller number) to gain more DOF. Of course to do this and maintain enough shutter speed, you will need adequately strong lighting, or raise ISO to gain more light sensitivity.
With Pentax exclusively, you have the Pentax Hyper System, where even if in P mode, you can at any time select a different aperture or shutter speed than the camera has chosen, just by using your thumb or finger dial to make the change you wish. This will shift you into Av or Tv mode instantly without your having to switch the mode dial first before selecting what you want. Then a touch of the green button can instantly restore full Program mode. Very fast and efficient.
When shooting people pics in daytime outdoor scenes, I recommend to habitually make use of your flash. I believe the K-3 has a built-in flash. You might even need to turn it up by going to the flash adjustment section +or- comp, as when there is bright daylight, the flash's meter reads all that light and may reduce output. This is accessed right on the back of your camera. This seemingly unneeded use of flash in daylight will make your people shots look better. it will put a bit of catchlight in the eyes, and will fill in shadows to a degree in eye sockets, etc. You don't normally have problems with redeye in daylight shots.
Be sure your exposure comp is set to "0" except for temporary situations where it is needed, the be sure to return it to normal. Be sure metering is set to the normal pattern/matrix. If switching it for a certain use, be sure to set it back.
Using center-only spot AF is usually best for focus accuracy. You can train the camera specifically where you want focus to be, then by holding that focus with the half-press of the shutter button, or the rear AF button, you can reposition the camera to frame your shot, then complete the half press to fire the shutter.