Originally posted by 35mmfilmfan
I agree about the colours, but my example needs either -3 or -7 EV compensation to give RAW results that I find easy to work with in PP, especially in landscape work. Probably just sample variation.
Could be sample variance, however I am referring to JPEG results right out of the camera- no PP.
---------- Post added 10-29-20 at 12:21 PM ----------
Originally posted by photogem
The K20D was one of the worst in AUTO, its JPEG engine was terrible.
Yes it was. I avoid setting the mode dial to AUTO. You lose all control, and virtually all adjustments are unavailable. When shooting JPEG images, for me it is only useful for handing the camera to another person temporarily to take a shot with you in it, so if they accidentally hit a control they don't ruin the effort completely. By using the P mode instead, there is still fully automated exposure of both shutter speed and aperture, but full controls and adjustments are available, including the Pentax Hyper System. I found I could compensate for the K20D's shortcomings of its JPEG engine satisfactorily by going into the Custom Image menus to make some adjustments. With the AUTO mode, you don't even know for sure which Custom Image processing the camera will select!
The K-5's JPEG engine was by miles superior over the K20D. I am still very much fond of my K-5 IIs. The KP's JPEG engine is excellent- the best ever. But even with it I still set up "Fine Sharpening" in the Custom Image menus, especially in the "Bright" and"Natural" categories. Pentax goes rather conservative in various factors, I guess to leave headroom for post processing if desired. But I think it is great that adjustments can be made with those in-camera menus.
---------- Post added 10-29-20 at 12:31 PM ----------
Originally posted by photogem
but I grew up with manual only.
Yep- me too. Back then that's all there was. An SLR camera had no autofocus, no auto anything. But at least you had control. The "Brownie" point-and-shoot camera most people used, was just a box with a film advance mechanism, a fixed-aperture single FL lens, all preset, and instructions for which film to use for a bright or a cloudy day, and that your subject had to be at xx feet distance or more. If in lower light, you could attach a flash bulb, after firing which would be burnt out and discarded!