Originally posted by wadge22 I think you don't want to do it that way because that relies on the lens being focused correctly on the screen (which itself must be shimmed right) AND the diopter then correcting focus on that image. If the subject isn't focused on the focusing screen, no adjustment of the diopter will be right, and possibly the wrong one will make the image look best to you.The info area (or the black guide lines, which I tend to use) doesn't have that problem, it stays right where it is so you can set your diopter correctly on that every time.
My first step is focusing the lens via Live View, then I adjust the diopter so I see the same area sharp. How should the focus differ afterwards?
Originally posted by wadge22 Are you sure? I thought it was the opposite.It's quite possible that differences in the distance to the subject for whatever is commonly shot with those lenses makes it hard to say.Again messing around with a DOF calculator may be useful, although now you have me questioning myself even after consulting it.
The problem is, the wider the lens, the more surroundings are in the frame -> the smaller the borders between in-focus and out-of-focus areas appear in the viewfinder and it gets harder to pinpoint the exact area in focus.
Originally posted by wadge22 Have you tried a manual focus 300mm f2.8? By your guidelines, that should be a cakewalk even wide open...
I don't own a tele lens that fast, but focusing my Tokina 400mm f5.6 lens is a piece of cake opposed to my Samyang 35mm f1.4 lens. Another aspect to take in mind is: the longer the lens the greater your subject isolation -> you don't need to use apertures as fast as with wide or normal lenses to achieve a good separation from the background.
Originally posted by wadge22 Also don't street shooters generally choose something in the short to normal range largely because of focusing advantages?
In my opinion: no.
The problem of too long lenses for street photography is that you don't get enough information of the surrounding area in the frame. You usually want to show what people are doing or where they are going, to give the viewer some context. With tele lenses you might get good headshots, which can look good depending on how expressive the face is, but if you are just interested in the faces you typically do portraits in a studio where you can also controll the light.
Another problem of tele lenses for street photography is, that you have to back up a great deal to get an interesting framing and for small alleys or side streets there is often not the space to do so.
With long lenses you also create a somewhat voyeuristic vibe, both for the people you photograph and for the people looking at the final image because of the compression and rendering tele lenses introduce to the image.