Originally posted by AAlfano I concur. I had one of these and never got any satisfactory pictures out of it. (And I'm not really a stickler for sharpness, either.)
---------- Post added 09-01-21 at 10:47 AM ----------
I probably wouldn't go out of my way to buy a SMC Pentax-M 50mm f/2, but I sure would not avoid one either. I got one with my K1000 and I am frankly stunned at how sharp it is (at least at f/5.6 and f/8; it's plenty good enough at larger apertures). It may have been a cost-cutting lens but mine is 40+ years and still looks and works like the day it left the factory. I think this five-element lens has a bit more "3D pop" than the faster 50s with more elements. (Just my opinion.) There is NOTHING wrong with the 50mm f/2.
Interesting comments about the k-mount 1980s Takumars. I had many of them back in the day, used with various Pentax K mount cameras, including the MX and LX. And without exception I found them sharp under almost all conditions. Granted all sharpened up when slightly stopped-down, but I have only ever considered the maximum aperture as a focussing aid with bright screen and minimal DOF. As an aside, I have a Tomioka-designed Yashica 55mm f1.2, but only under absolute 'get a shot or lose it' conditions did I shoot it wide open!
These days most have gone because I cannot be bothered to adjust for the CA that many exhibit when used on digital, but I anticipate that if used with Pentax cameras incorporating shake-stabilisation, the numbers of reasons for shooting at maximum aperture would be vastly reduced. ( I don't discount the visual effects of shooting at shallow DOF as a reason to shoot wide-open, but that is another kettle of fish)