I suppose much depends on whether or not you're getting what you want to be seeing: after all, the camera isn't color-blind, even if you're shooting color for an audience that distinguishes a couple more than you do, it's not that much different from life, I'd think.
On the other hand, you could also do some fun things with some of the 'special effects:' there are functions to actually shoot monochrome, except leaving in only a color or maybe two: maybe you could find a way to share a view of the world more as you see it, say, by actually letting the computer remove the colors you can't distinguish.
(I've actually had kind of similar ideas about dealing with my general sun-sensitivity: what's a 'nice day' to most folks tends to look like a kind-of-washed out Kodachrome slide about two stops overexposed, to me. (At least from where I feel comfy standing for very long.
) I haven't gotten around to dealing with it too much, since I like monochrome anyway, and tend to be shooting-half-blindly into such conditions to begin with, but I've contemplated just making some of my digital work in the bright look like things do to me through my favorite types of dark brown shades, (which makes the brighter parts of the world look pretty cool to me) ... maybe with the digital equivalent of stacking a couple of 85B filters on there.
)
Last edited by Ratmagiclady; 07-25-2009 at 01:10 PM.