Originally posted by Ira Masks frighten me.
I used to have a Nixon mask that was pretty scary.
Originally posted by FHPhotographer Jeff, GerryIt's many things, and used on the right image and done well, it can be a wonderful treatment, but sepia isn't B&W
Call it instead, monochrome. Back in the day, I mail-ordered many cheap outdated rolls of photo print paper from Freestyle. Among those were some labeled warm-tone or cold-tone, as well as neutral-tone. From the same monochrome Panatomic-X negative, I could make prints that were sepia-and-white, blue-and-white, or black-and-white. All monochrome, but with different toning.
B&W is a convenient tag to apply to any monochrome or grayscale image. It doesn't reflect TRUE high-contrast black-white. Digital B-W is a 1-bit rendering with no intermediate tones, no grayscaling.
B&W isn't B-W. Taken to an 4-bit (16 color) standard, the ON pixels in a B-W image could be rendered as any of the 15 standard colors, and the image would still be monochrome: one color, plus white. Taken to an 8- or 16- or 24- or 32-bit standard, if the ON pixels are rendered as only one color amongst the 256-gazillion available, the image is still monochrome. But if you've rendered the image as grayscale, and those shades of gray are rendered as something other than #000000 or #FFFFFF, then the image isn't monochrome, isn't black-and-white.
Grayscale isn't B-W.
So, how sloppy can we be when applying that B&W tag? Is it restricted to grayscale, which isn't B-W? Is it applicable to any one-color (monochrome) rendering, even when that one color isn't dead black? Image printers have for a long time, since the beginnings of the craft, rendered monochromatic images in tones. Do we retroactively de-classify their work as non-B&W?