Quote: a 645D which would be your perfect camera up there in the wilds Norm
In my dreams. I used to have a Mamiya 645... the good thing was that when I got tired of carrying it around, I got a pile of money for it, kind of like a bank account.
Quote: Most people buying an entry-mid level model like the K100D would buy it with the cheap kit lenses which is what I did.
That's one way of looking at it. The other would be, if you're only if getting one lens, why would you even buy a DSLR? There are some fine point and shoots out there with some great features. The big deal about the DSLR is... you can use more than one lens.
I actually traded my K100D for my Kx so, we think differently.
And I'm saying, if you really want to get into things more, trade you K100D for a KX without glass. They'll give you $120 for your K100D and your old lens will save you $80. Keep your kit lens, and save the $1000 you save on the KD or the $600 you save on the Nikon, to buy a nice lens. You can get a Tamron 90 f2.8 macro new for that..
Then you're talking about a party.
Or as Mr. Scanlon my studio teacher used to say.. find a lens you like and buy the body that goes with it. If you would have been talking about some great Nikon glass that you loved to death, that would have made my heart warm.. Canon or Nikon or whatever.
But in the overall scheme of things, $300 dollars as the deciding factor because you have to have the top of the line is scary. Especially if you're still using just your kit lens. Back when your kit lens was a very acceptable 50mm 1.8 that was cool. Thinking you've learned much on a camera with a minimum aperture that's 3.5 is just dangerous. And what's with people buying DSLR's for video? Don't they still make video cameras?
Don't take this too seriously though, I'm not trying to say anything a good beer wouldn't wash away.
Good luck with your decision, either way.