Originally posted by MiLKMAN The most I miss is the HD 18-50, it had great chemistry with K200D. Unfortunately it found its end on concrete streets of Bergamo.
I agree, the HD 18-50 just works so well with the K200D... I still don't get how the HD version is so much better than the SMC but I won't question it, I just enjoy it
I find that the output, in the shared range, is similar to the DA*16-50mm. At 21mm in some ways it's better than the HD DA 21 Limited (though the DA 21 has a bit more 3D pop for medium range subjects).
I have been posting quite a few pictures from the combo lately... here's some...