Originally posted by Miserere Clearly this is a matter of taste, as I would choose saturation = 0.
Yeah, there's a little bit of wiggle room. At +1, the left side of the closest orange traffic cone is totally blown into red (something like red 98-100%, green 0-1%, blue 0%). At 0, it's a lot more reddish than I like but not totally off the chart. -1 gives a little bit of a margin.
Quote: Could you do the same thing with the contrast? I'd be interested in knowing which setting you would prefer.
Sure, although I've actually deleted that original (didn't see the point in saving a bunch of artless test shots), so I'll have to reshoot some samples.
As mentioned above my initial preference is to bump contrast up some, but that's
definitely subjective. (I actually kind of dig the -3 saturation +3 contrast look of a few of my sample shots, but I don't think I'd go with that as a general setting.)
The guy working on reverse-engineering the firmware mentioned that there's some hints of rudimentary scripting language hidden in there -- too bad that's not active, because then I'd have the camera just go ahead and do a matrix of all 686 possible combinations of tone curve, saturation, sharpening, and contrast.