Originally posted by Redwood10D Yes, when measured by a stop watch the Nikon or Cannon competitor may (MAY) be a few 10ths faster here or there, but for me these measurement differences were not important and I considered them mute points.
I will add my $0.02 worth:
I owned a K10D for about 7 months, and a *ist DL for a year before that. The K10D produced some wonderful images, but it had some shortcomings that caused me to look elsewhere:
Positives:
1. No problem with soft images at all. I fiddled with the camera .jpeg settings a bit and the out-of-camera image quality was excellent for casual use (family photos and the like). I use RAW for critical work, and got excellent results with both the Pentax Photo Lab and Adobe Lightroom RAW processing programs.
2. No problem with metering at all. Almost always use matrix metering and check the back LCD for blown highlights or lost detail in dark areas.
Negatives:
1. Poor AF performance for sports/action and low-light. It was not a few tenths of a second difference - it was several seconds of hunting and still failing to get focus in moderately poor indoor lighting. Many blurred shots of the kids's indoor events (awards ceremonies, band concerts, etc.). Yes I can manually focus, but I didn't spend thousands of dollars for a fancy new digital SLR system for this. Sports/action use was even worse: predictive focus performance is terrible with uo to 50% of fast action shots out of focus. In this area, the DA* 50-135mm f/2.8 greatly improved the performance over the screw-drive Pentax and Sigma lenses, but it still was not as good as the competition. And, of course, there is no SDM lens longer than 135mm and no word when such a product may be released. I have used
many lenses with the K10D in this situation, including the FA 77 f1.8 Ltd, FA 135mm f2.8, Sigma APO 100-300mm f4 DX EG, Pentax F 70-210mm f4-5.6, and the DA* 50-135mm f2.8.
2. Poor noise performance at ISO 1600. Some low-light shots at ISO 1600 were usable, but many were not with lots of noise, visible patterns in some areas (both light and dark), and just poor picture quality.
3. Irregular flash performance. Sometimes the flash system worked great (using a Pentax AF-360 FGZ both in the hot shoe and wireless), and sometimes the exposures were
way off. Usually, bouncing off the ceiling worked great, but in a room with a dark ceiling the direct flash performance was sometimes worse than most cheap point and shoots.
4. Poor selection of lenses and inconsistent lens performance. In addition to the afore-mentioned total lack of any long, fast Pentax lenses, the performance of some of the lenses was disappointing. I used both the DA 14mm f2.8 and later a DA 12-24mm f4. The DA 14 needed to be stopped well down for any kind of sharpness and showed a fair amount of CA. The DA 12-24 showed good sharpness even at wider apertures and has fairly low barrel distortion, but the CA is severe! Even the FA 77 Limited needed to be stopped down pretty far to eliminate green color fringing.
I ended up replacing the Pentax K10D system with a Nikon D80 and four Nikkor lenses. The Nikon system is better in some ways than the K10D system and worse in others. The AF performance is a dramatic improvement. In situations in which the K10D will not focus, the Nikon will hit the correct focus most of the time. This is not "measurbating tenths of a second;" this is the real difference between a focused shot that is usable versus a blurred, unusable shot. At a school award ceremony a few weeks ago, I got 4 out of 5 perfect shots of my son getting his award, using the D80 with a Nikkor 70-200 f2.8 VR lens. Last spring, in the very same room in the very same light and distance, I got 0 out of 5 shots that were usable with the Pentax K10D and the FA 135mm f2.8. That is a very real benefit for me; not just "measurbating."
Using the Nikon D80 with the Nikkor 70-200 f2.8 VR for sports/action shots (daytime soccer games), I now get 95%+ shots in perfect focus, compared to maybe 50% with the K10D + Sigma 100-300 f4 (using AF-C mode -- I get more in focus with AF-S but the shutter won't release sometimes at the decisive moment). With the K10D and the DA* 50-135mm f2.8, I could get maybe up to 90% in focus, but that lens is just too short for this application. And it still misses focus when the subject is running directly towards the camera. Where are the long SDM lenses? How many years are we going to wait for Pentax to catch up to the competition?
Flash performance with the Nikon has been very consistent. Using an SB-800 Speedlight, every flash exposure has been perfect. However, I've only used the flash on maybe two occasions.
High ISO on the D80 is better than the K10D, and about equal to the *ist DL. Noise is well-controlled, but the images are definitely softer above ISO 800. I'm sure that there are other cameras with better high ISO performance, but the D80 (and the *ist DL) are good enough for me. Out of the box, without a lot of PP, the D80 beats the K10D.
The D80 is slightly more expensive than the K10D. And the Nikon lenses I bought are significantly more expensive than the Pentax lenses that they replaced (but I choose the more expensive "professional" Nikon lenses so this represents an upgrade). The Nikkor 12-24mm f4 DX out-performs the Pentax DA 12-24mm f4 by a wide margin with significantly less CA. And I can get a 200mm f2.8 autofocus AF-S lens for the Nikon, which is simply not available for the Pentax system at any price.
On the flip side, for travel and landscape photography the Pentax system worked great. Except for some extra effort to address the CA in PP, it was a great performing system. The smaller, lighter lenses are more pleasant to carry all day as compared to the heavier Nikon equipment. For outdoor use with static subjects, I was pretty well satisfied with the Pentax gear. And I still have my Pentax film gear for such applications and it works great.
So, to respond to the initial question, I have experienced some of the problems that the O.P. expressed concern about, and ultimately it was enough to compel me to look elsewhere. But it depends on the type of photographs you are interested in creating, and whether these specific shortcomings are a serious obstacle for that type of photography.