Originally posted by Winder But is it a business for the original poster which is why I addressed it in that manner. It is a business for me which is why I look at it that way.
I don't have to lock lenses in a vault if I buy good glass. Do you know what the FA 85mm f/1.4 sold for originally? Do you know what they sell for now? Do you know what the A* 135mm f/1.8 is selling for used today?
I sold my Olympus 14-35 f/2 and 35-100 f/2 for a slight profit even though I took a loss on my E-3. Good glass never goes down in value (exchange rates might rise and fall).
BUT, it is not about resale value. It is about buying quality glass that will produce images that will make an impact. It does not matter how awesome a new body is if you put bad or average glass in front of it.
I'm just saying I think it's a min/max. You don't have to spend $1600 on a 135 f1.8 to have 'good glass', despite what many seem to believe. Bodies *are* the film now. Like I've said in other threads... A K-5 with a used FA50 is a match for a K-7 and a FA43. A K-5 with an DA35 AL is a match for a K-7 with the DA35LTD (as long as you're not shooting macro). And in every situation, the K-5 offers better "film". So do you want a "name" and a collectible piece of glass, or is making good images your priority? Do you think the cost of a lens is directly translatable to its artistic value?
I don't really care what those lenses sold for originally. The number wouldn't compare anyway, as inflation has changed the prices of many things in the last thirty years, lenses not being the only thing. I would avoid using an irreplaceable lens like that in my
business anyway, for any number of reasons. In the grand scheme of professional camera gear, a $1300 lens is not particularly expensive, but still must pay for itself to be a good investment. I don't know about nowadays, but back in the day, I rented many lenses - among them a 300 2.8 - because they didn't pay for themselves. My Hassy had several lenses that cost more than that 300mm f2.8, but that's because the clients PAID enough for them to be worth owning as a business proposition. Medium format jobs would often pay for the bit of kit I needed to complete them.
I just don't think it's reasonable anymore, now that bodies come with one kind of film built into them, to suggest that glass is all that matters. It's like your heart or your lungs - which is more important? If either stops working, you die.