Originally posted by jboyde Its been said that even though the K7 lacks in DR its still more than print color film. If thats true then any better range is gravy.
This can be a very misleading way of looking at things.
And the reason I say this is where DR is most beneficial at the capture point rather than the media transfer stages. And so so we would benefit from wider DR both during and after capture due to the wider latitudes. Which has little(or nothing) to do with the capabilities of the destination medium when you think about it.
Also... contrary to what we me think, added DR will still benefit studio shooting also. and one such example of this can be found in the latitude of the K-5 files in contrast with earlier models(ie, K20D) not only under hot lights such as; snoots, highlight or kicker type lighting, but more importantly in the overhead gained in the shadow and color channels(RGB), which will come as improvements over earlier systems.
Anyways, I don't mean to drag this on but the short answer is that color gamut, DR and resolution will almost always surpass final output, but its in the transient stages that these matter most.
Hope this helps