Originally posted by dgimcmillan (I can't believe I'm the first ...) person to respond with LIGHTZONE by Lightcrafts.
Well, I've been on vacation and didn't see this thread until just now.
Quote: Lightzone is a very intuitive program, and easily does almost everything that my PS CS2 program could do.
I myself would not say, as Ian does, that LightZone can do everything (or even almost everything) that Photoshop can do. But that's not a knock against LightZone: LightZone isn't trying to be Photoshop, in fact, I think it's fair to say that it's trying to be an anti-Photoshop, not in the sense of being simple and doing very little (while PHotoshop is complex and does a lot) but rather in the sense of doing a lot but doing it in a manner very different from Photoshop's. Unlike Photoshop, LightZone doesn't use layers and doesn't edit pixels (aside from its excellent clone/heal and red-eye tools). Also unlike Photoshop, LightZone is devoted entirely to processing photos, so you won't launch LightZone to create a logo or paint a picture. Lightzone doesn't allow you to cut or copy and paste portions of one image into another image, so if you want to get a job as a cover artist for a grocery store tabloid -- you know, those papers that have photos of three-headed children or dogs with scales like a dragon -- then you want Photoshop, no question about it. But if you want to have a tremendous amount of power and control processing
photos, then LightZone is an excellent tool. It allows you to apply your edits selectively in a variety of ways, some obvious (using selection tools to draw "regions") and some less obvious (applying edits only to a range of colors, for example).
I use LightZone now to edit/post-process most of my photos. I like working in it very much. It gives me a lot of power that I don't have in Adobe Lightroom, which I use now mainly to organize my photos, and it costs less and is both easier to use and (in my opinion, anyway) more enjoyable to use than Photoshop. Working in Photoshop, I feel like I'm responsible for every darn pixel and that I could spend days post-processing a single photo.
There are some downsides to LightZone. You have to buy the pro version to do any batch processing (i.e. to edit one photo and then apply those edits to others). While the standard version of LightZone is reasonably priced (and there's been a sale that lowered the price even further) the pro version is a bit pricey, compared to the prestige of the competition. It's a lousy digital asset management application, so you pretty much have to use something else for that purpose (I use Adobe Lightroom, which is terrific for this purpose). Since LightZone's market share is quite small compared to the Adobe products (Photoshop and Lightroom), using LightZone makes you a bit of a loner -- but then, you're a Pentax user, so you should be used to the feeling of being out there on your own without getting an inferiority complex. The main problem with LightZone is that it is sometimes fairly sluggish.
I continue to use Adobe Lightroom to manage my photos. I import photos in Lightroom, tag them there and make other modifications to the metadata; and I evaluate my photos in Lightroom, too, and make my picks about which ones to process. Then I edit individual photos in LightZone. The workflow is fairly straightforward and reasonably efficient.I much prefer LightZone's trademark zone mapping tool to Lightroom's tone curve. And LightZone has selective editing, which Lightroom does not.
LightZone is flawed but brilliant -- or if you feel less positively about it than I do, you might say it's brilliant but flawed. I myself can tolerate the flaws and focus on the brilliance.
That said, before I started using LightZone a couple of months ago, I was fairly content with using Adobe Lightroom for 98% of my post-processing. If I had to pick just one program and stick with it, it would be Lightroom, not LightZone. But having both gives me a very strong combination of tools.
Will