Hey Class A, I didn't take offense to anything you "didn't get". However, I will elaborate on this one:
Originally posted by Class A
- Why does the fact that some legacy FF Pentax lenses are still very useful on APS-C and hence still being sold constitute an "identity crisis"? I don't see that argument at all.
Simply put, I find it strange for Pentax to still be producing a handful of their FA lenses when they don't have a digital full-frame body to support it. I don't find it strange if, from a financial standpoint, they are still profiting greatly from the production and sale of these lenses - why else would they still produce them, right? However, when they came out with the D-FA 100 mm Macro WR only a couple of years ago, why have full-frame capability in this lens with no digital full-frame SLR to slap it onto? Is somebody from the film era seriously going to buy this lens, or are they going to buy a far cheaper used macro offering in another mount? The Pentax logic here just escapes me; I feel like I'm being "teased" into thinking that somehow they're thinking full-frame but doing nothing about it.
That said, would I personally go with full-frame? Not unless my income justified it and I became a sports photographer overnight! I just think it needs to be an option for those who
think they need it, even though for all intents and purposes most photographers really don't, other than speed junkies. Aside from massive enlargements, APS-C has been shown time and again to hold its weight quite nicely even with less-than-massive enlargements. And I personally think that Pentax won't try to go head-to-head with the top-of-the-line Canons because they've already trumped these cameras resolution-wise with the 645D, and at a price-point that's not much more. However, nothing can match the speed of Canikon right now which, unless you're into that type of photography, full-frame simply makes no sense for most photographers.
In conclusion, I will stir the hornet's nest more by stating that for photographers who think FF is the only way to go and who turn their noses up at APS-C, I would argue that their FF desire is more for bragging rights than anything else. People like this are hiding their photographic insecurities behind a big camera.