Originally posted by JJJPhoto ...there is "something" about the experience of using smaller/lighter Pentax bodies and Pentax primes that I really enjoy.
I just returned from a walk with my Super Program. I own a perfectly good K-5. They're both great cameras. I suppose we're in the same niche of people who enjoy photography more because of how thoroughly considered and well designed Pentax gear is...even when that doesn't directly impact the final image.
Originally posted by normhead With any lens designed to be used with film, purple fringing can be an issue.
Purple fringing is usually caused, to the best of my understanding, by reflections from the sensor, which are then reflected back to the sensor and are captured as if they were part of the original image. This is because the sensor assembly is more reflective than film. I would hazard a guess that red and blue (i.e., purple) are reflected while green is not because most lens coatings are designed to transmit (i.e., not reflect) the color which dominates human visual sensitivity (i.e., green). Lenses designed for digital sensors are designed with coatings that minimize this reflection.
Having used dozens of lenses, mostly designed in the film era and many before SMC technology, the worst purple fringing I've ever seen has been on my DA*16-50.
That said, other chromatic aberrations are caused by lens designers allowing some leeway as to colors focusing on different planes. Because film emulsions are thicker than the digital sensor's depth of sensitivity, a lens that focuses higher energy light (blues) behind lower energy light (reds) would not have a visual effect on film but would cause misalignment toward the edges of a digital sensor. Of course, this aberration is among the easiest to fix in post, and so causes me minimal concern when considering a lens purchase.