Originally posted by rparmar As always I like your photos and appreciate your blog.
However the whole slideshow pan and scan effect is so Mac, so irritating. Can no-one look at a still image any more? Isn't that the essence of photography?
I'm resurrecting this thread because I'd like to comment on this sentiment. (I found a site using monoslideshow and did a Google search... was interested to see a PF thread mentioning it, so here I am).
Ignore for a moment the phrase "so Mac, so irritating" which indicates a strong bias that may be coloring the objectivity of the writer. ("I hate Macs/Apple, this visual technique was used by Apple, so I hate this visual technique.") If that kind of logic appeals to you, fine, but in that case you would probably also expect it to be rational if Andy Warhol haters then also disliked Campbell's soup. It is the next sentence that I found demonstrating a lack of ability to look very far below the surface of something: "Can no one look at a still image anymore?"
First of all, it remains a still image. It is the frame that is moving. Secondly, when looking at a book of still images (or a gallery exhibit of photographs), the viewer can readily see that there are more images in the exhibit or in the book. The viewer is in charge of how long they look at a particular image before they turn the page or move on to the next image. Perhaps rparmar believes that there is a requisite amount of time that a viewer should spend looking at a particular image before he displays a deficiency of some kind, but in any event the viewer understands that there is more to see and at some point moves on.
Now consider for a moment why this particular technique is called the "Ken Burns Effect". Mr. Burns had a unique problem when creating his landmark series on the Civil War. He was making a television program (which viewers normally associate with moving video) but his raw materials were still photographs. I would argue that his solution was innovative and enhanced the photography. The subtle movement kept viewers attention, shifted focus from one part of an image to another, and was an oddly soothing accompaniment to the narration, dialog and music which accompanied the presentation. Rather than detracting from the still photography, I believe that the Ken Burns Effect enhanced it. The main way was by keeping people attention better than a static Powerpoint slide presentation of the photography would.
rparmar's cry might as well be "Can no one look at a tray of slides anymore" or "Can no one look at Black & White anymore"? I would argue that new things do not negate the old and both can exist side by side. Someone who decides to present things in a new and different way should not be painted with a derogatory brush as if they have somehow sullied all that is holy (such as "The Essence of Photography").
I would argue that a photographer presenting images (or a site face) on the web faces a different set of circumstances from a photography book or gallery, but one similar to the one Ken Burns faced when making his Civil War documentary. The visitor to the web page may see an image and not realize that there are more images to follow. And it is a fact that web "attention spans" are click-happily short. If you want a visitor to stay and explore, you must do something to engage them. Certainly the "Ken Burns Effect" is not the only way, but I think it would be a stretch to say that the effect destroys the essence of photography (in any way).
I personally do not approve of sites that automatically start playing sound (not nice for people who may be perusing your site at work and be startled when music starts coming out their computer speakers, for just one example). However, I do think that the monoslideshow effect is well-used on this photographer's site:
Vision & Imagination » Garry Schlatter Photography (automatically playing sound warning).
If you don't care for the effect when visiting a web site that uses it, you can also choose to "turn the page". But I think it has a similar effect for web sites as it did for Mr. Burns' documentary. It engages, sooths and enhances (not detracts) from the presentation of the still photography. (Your mileage may vary).