Also, regarding the Tokina 17 vs Pentax 16-45 "fight". I was going to post this last night but an internet outage meant I lost the post I spent a while writing... so I'll try again.
First, I wanted to say that both lenses seem to be capable of professional results if you get a good copy. They are not slouches in the optics department.
The 16-45mm is one of the best zooms when it comes to edge to edge sharpness, according to multiple sources. I'd like to point to fellow pentaxforums member NorthCoastGreg's review:
Pentax DA 16-45 f4 | Lens Reviews | The Northcoast Photographer
The picture that ScooterMaxiJim posted of the 16-45, that manntax said proved that the edges were soft - the lower edges simply aren't totally in focus, at least that's what I am seeing.
According to photozone.de, the 16-45 extreme corners should be in the "very good" range from f5.6 to f11, and almost there even at f4:
photozone.de was also the site that said in their review of the Tokina RMC that it's not really worth going for the old prime when the 16-45mm performs better.
And apparently ephotozine's copy of the 16-45mm was even better:
All their parameters exceeded at f8 corner to corner! Shown results at the 16mm end.
Now to the argument from ScooterMaxiJim that the Tokina 17 isn't as center sharp, that I believe is an issue of the AT-X version, which has a different optical formula (with aspherical elements) compared to the SL and RMC versions (and Vivitar MC). The infamous Ken Rockwell said in his website that he believed his SL copy was sharper than his AT-X copy. The photozone.de tests of both lenses also seem to point out quite a big difference in sharpness in the center:
Tokina AT-X 17 (Canon 1.6x APSC):
Tokina RMC 17 (Pentax 1.5x APSC):
Manntax said the distortion of the 16-45 is unnaceptable. It's measured at 2.52 (photozone.de) and 1.36 (Imatest, mentioned in the ephotozine review). Compare that with 2.49 for the Tokina 17mm RMC (photozone.de) and the 16mm matches the Tokina at 17mm, and probably exceeds the Tokina when you zoom to 17mm. So much for the 16-45mm being inferior distortion-wise.
So, I think that in the end, both lenses are equally capable, even if they render differently. The 16-45mm, with autofocus and all the extra focal range, and the flare resistant coatings that also improve color and contrast in difficult light situations, therefore represents a better value in the just-under-200-dollars price range - so that is what I will likely go for next. IMHO, YMMV and all that.