Originally posted by cornishk100duser The OP said in his post
"-Expanded Dynamic Range? Okay, this may come in handy for picky photographers or portraitists, but for the majority of us, there's Photoshop, GIMP, Aperture, Corel, etc.
-Custom image functions? This may just be my opinion, but whoop dee doo! Again, IMHO this is just for a picky photographer that doesn't want to post-process his/her pictures."
What happened before photoshop??
Photographers need to get all things correct as they were taking the photograph. Admittedly there may have been some pp'ing in the darkroom, but nt as much as we are able to do now.
I agree that if someone wants to spend most of their time infront of a computer screen then all they need is a cheap point and shoot, aim at whatever takes their fancy and alter the image out of all recognition in photoshop
Sandra, I have a completely different opinion on that. In film days as with digital to have the best result, you need to be as correct as possible when the shutter clicks. And I never had a single image in the wet darkroom, that I would not "post-process" heavily, beginning with the choice of the paper gradation over cropping, dodging/burning, right through choosing the best chemistry for the purpose.
That simply took much more time, than post-processing onscreen. Sometimes I spent two days until one final print was to my satisfaction.
So, there is no real difference in my (and many other photogs) approach towards picture making today, compared to yesteryear. Then as now, making really good images with a (D)SLR always afforded much more knowledge, than using a point-and-shoot, which where always pre-set by the manufacturer to give an acceptable result under 95 % of circumstances. And during the remaining 5 % of occasions, the typical p-s-shooter wouldn't grab his camera anyway.
What did and does that mean in practice: In film days p-s-cameras overexposed by about 1 EV, because they were usually used with negative film, which takes overexposure better, than underexposure. Thus the manufacturers generally increased exposure beyond, what would be optimal. But people never really complained, because most people will not readily recognize the difference between a correctly exposed image and an overexposed one.
And that is exactly the same today with digital: the p-s-cameras err on the bright side, to retain shadow detail, because the typical p-s-shooter wants to recognize the faces of his family, even if he shot directly in front of a bright background and forgot to use the flash. If the bright background gets completely washed out, that doesn't get noticed, because this is not the important part of the image.
(D)SLRs always have followed a completely different route i exposure matters, because photogs, who use a (D)SLR usually have different preferences. And thus they need a tool, that does not automatically interfere with their decisions on exposure.
All in all, I would rewrite your last sentence to the exact contrary:
If a photog does NOT wish to do any kind of post-processing, he should buy a good point-and-shoot-camera!
Because out of the camera he gets images, that are exposed to show his beloved subjects, are sharpened massively and maybe colour corrected to whatever standard.
Ben