The K1 is already one of the cheapest full frame DSLR's on the market and to offer anything lower price would probably not result in much profit for Pentax. As for its benefits compared to my previous K3/K5 I have to say the pictures to me at least look very different:
It has a way of rendering light and shade that I have previously only seen in the 645Z from the marque which gives a very natural and lifelike look to pictures
The low light high ISO shooting blows my K3 and K5 utterly into the weeds, I was incredulous the first time I shot a gig with it at up to ISO 3200 and didn't even need to bother with lightroom noise reduction - it's pin sharp, zero noise at ISO 3200 on a 4k monitor.
The wider field of view has enabled me to shoot full length standing models in my cramped studio far more easily without resorting to wider than desirable lenses. The effect was a bit like when you go to the cinema and they show the commercials in 4x3 perspective and then when the film starts the curtains draw back and you're in panovision 16x9 - incredible...
The body is much nicer to use without a grip (even though I tend to shoot with the grip). Every Pentax APSC DSLR is so small in my hands that a grip is mandatory for comfort (in my hands at least), whereas with the K1 it's really optional.
Quite honestly I'd never spent anything like this amount of money on a camera before (K1/24-70 f2.8) but I'm so very very glad I did. It's an expensive purchase - indeed it's the price of a very decent secondhand car but I have never for one second regretted the purchase and 8 months down the line I still pick it up and play with it at home gazing lovingly at its build quality and its respect for Pentax heritage. I'm still in love with how much thought went into it. Pentax really did put everything they had and everything they had learned in 70 years of photography into it down to the nod to the Pentax 6x7 in the Pentaprism shape, the swinging mirror for compactness, the legacy K lens mount, the rugged all weather sealing, the revolutionary ergonomics, the articulating screen and the LED night lighting. It is to Pentax what the E-type was to Jaguar - their landmark creation.
More thoughts here:
Jonathan Gorse Photography | Pentax K1 - the 35mm legend returns...
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