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11-27-2019, 04:23 AM   #1006
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QuoteOriginally posted by Grippy Quote
Alright, less than 6mp Oly E1, only 5mp
P1013158
Really great technique! Great result!

11-27-2019, 11:13 PM   #1007
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QuoteOriginally posted by Snapppy Quote
Really great technique! Great result!
Thanks, the E1 and OM 50mm is such a great combo that I used to use quite a bit
11-27-2019, 11:48 PM - 10 Likes   #1008
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K100D Super with DA 70....
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11-29-2019, 04:35 PM - 5 Likes   #1009
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Some car show shots from October with the SMC-A35/2.8 on *ist D. Here's a question for you optics gurus. Check out the strange blue flares on the 2nd shot of the '56 Chevy bumper. It appears in a few other shots from that outing. I've never seen this type of flare from this lens, although I don't think I've used it in this situation involving bright highlights before. Shot in RAW and processed in RawTherapee - and at iso800 (inadvertently). Ideas?




11-29-2019, 07:09 PM - 1 Like   #1010
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Well presented vehicles there Paul



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11-30-2019, 01:54 AM - 1 Like   #1011
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QuoteOriginally posted by paulh Quote
Some car show shots from October with the SMC-A35/2.8 on *ist D. Here's a question for you optics gurus. Check out the strange blue flares on the 2nd shot of the '56 Chevy bumper. It appears in a few other shots from that outing. I've never seen this type of flare from this lens, although I don't think I've used it in this situation involving bright highlights before. Shot in RAW and processed in RawTherapee - and at iso800 (inadvertently). Ideas?
I'd guess that effect is caused by the gross local over-exposure caused by the sun's reflection in the chrome. It's probably not so much a case of "what caused it?" but "how did the coating on an old lens cope so well?" I bet inspection of the RAW original would show extreme localised clipping in these hot-spots
11-30-2019, 02:22 AM - 1 Like   #1012
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QuoteOriginally posted by paulh Quote
Here's a question for you optics gurus. Check out the strange blue flares on the 2nd shot of the '56 Chevy bumper. It appears in a few other shots from that outing. I've never seen this type of flare from this lens, although I don't think I've used it in this situation involving bright highlights before. Shot in RAW and processed in RawTherapee - and at iso800 (inadvertently). Ideas?

I'm no lens guru (more of a witch doctor), but it's the same sort of pentagonal flare that you'd get from the A35/2.8's five bladed aperture in most shots with the sun in the frame. It appears smaller and multiplied six times because there are six tiny suns reflected off the bumper.

12-01-2019, 01:29 PM - 8 Likes   #1013
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Thanks for the comments, guys - appreciate it!

A peek inside a very nice '56 Chevy at a recent carshow. SMC-A35/2.8 on *ist D:
12-03-2019, 04:47 PM - 2 Likes   #1014
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neglected...SMC-A35/2.8 on *ist D:
12-03-2019, 04:59 PM   #1015
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QuoteOriginally posted by paulh Quote
neglected...SMC-A35/2.8 on *ist D:
Hi Paul
Is that why it is in the corner.....too calm down and play nice


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12-05-2019, 03:51 PM - 1 Like   #1016
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Jeannie exploring the ponds...Colleyville TX. Cosmicar A35-70/4 on *ist D:

12-07-2019, 11:33 AM - 2 Likes   #1017
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Rusty bridge - Cosmicar A35-70/4 on *ist D:
12-07-2019, 05:06 PM - 6 Likes   #1018
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Today's afternoon sunset
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12-10-2019, 06:07 AM - 3 Likes   #1019
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12-10-2019, 11:30 AM   #1020
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QuoteOriginally posted by paulh Quote
How many of us still own - and use - the old 6 megapixel DSLR bodies? For Pentax, this includes the *ist D series, and K100D series. Despite their age and technical limitations, I find their images quite nice, especially with vintage lenses. I love the CCD sensor rendering, and simplicity of these older models. If you're still using one of these relics, post your photos! Images from early 6 mpx models by other makers are welcome too!

F35-80 on an *ist D:


SMC Takumar 55/1.8 on *ist D:


Tokina AF 28-70 on *ist D:
Samsung GX-1L (= Pentax *ist-DL2). Still going strong.
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