Originally posted by trog100 the machine gun way is the only way to get the "special" frame with any fast moving object.. be it bird taking off or that magic sports shot.
Right. As I've said, sometimes when I shoot in continuous/burst mode, I'm interested in more than one shot; and at other times, I'm looking for just one.
Here's a picture I took last November with my Canon S3 IS of an egret fishing. If there are photographers on the planet whose reflexes are so good that they could have gotten this photo without using burst mode, well, God bless 'em, because when those egrets go for the fish, they go without warning and they go fast. But this isn't the only shot in this series that I like. I like the other shots, too, like the one showing the egret turning his head so that he can look down into the water with one eye, etc. The S3 IS's continuous shooting mode, if I recall correctly, provided a little better than 2 fps for as long as I held the shutter down, until the card filled up (which in fact happened with this particular shoot, I remember).
I knew when I purchased the K100D that the continuous mode shooting was a weak point. The reviews all mentioned this fact. I also knew that switching from a fixed-lens camera to a digital SLR was not, in itself, going to result in my taking better pictures, and might even involve some steps backwards - many pro authors have commented on that. So no surprises here for me. I'm happy with the move to the digital SLR, very happy, and in many if not most respects, the K100D is a more capable camera than the S3 IS. But hey, I'm only human, and there are times when I wish my K100D and the lenses I've acquired (at considerable cost) could do one or two of the things I used to be able to do with the S3 IS.
By the way, for my sports photography, the move from S3 IS to K100D involves both plus and a minus, but the plus is more important. I've lost the S3's excellent continuous mode. But the S3 was simply awful in bad lighting like the inside of a school gymnasium, so ALL of my shots - even the best ones - came out very noisy. I have not eliminated that problem altogether - still looking forward to the day that auto-focus 50mm f/1.4 is available again for purchase - but with my Tamron 28-75 f/2.8, I've done much better than I ever did with the S3, by which I mean that some of the shots are actually pretty decent in a technical sense. Shooting Raw also helps. I say this because I don't want anybody to think that I'm really itching to go back. The itch was to go FORWARD to the K10D. But I've put some ointment on the itch and I think it's gone away for a while.
Will