Originally posted by newmikey Fully agree! For me the articulated LCD is a godsend for shooting architecture straight up (not possible on a KP-type screen). Either KP or K-70 type LCDs work well for macro-work and very low viewpoints (such as the image of my dog I posted a few weeks ago) but to be able to mount the camera on a tripod and shoot (near)nadir images is a big pro to me. Other than that, both cameras share enough of a featureset to make them near-identical for my kind of shooting (no sports, no flash-photography). The features the K-70 lacks in comparison ended up not being as decisive. Both cameras have Av, TAv, M and B modes and those are the ones I use 99.99% of the time and both cameras deliver near-identical results in landscape photography at low to mid-range ISO levels (100-6400) where I spend most of my effort. As I shoot exclusively in PEF, I don't really care much about what either jpeg engine does in-camera either.
As to the build-quality differences some people seem to hang onto: I've always been able to keep all of my Pentax bodies in a decent condition and have been successful in selling them on 2nd-hand for a fair price so someone else could enjoy them. I don't think I've even come close to testing the limits of sturdiness of any of those cameras. The K-70 still feels quite solid and decent to me but I have the same argument as the one I use against "protecting" lenses with a filter: the cost of the risk of replacement materializing does not justify the extra expenditure if said expenditure is not proportionate to the cost of the equipment it is supposed to protect/replace. Same argument as the one used on insurances: "don't insure against the expected and the bearable".
With other words: if both K-70 and KP do what I need them to do from a technical perspective, deliver the same image quality, better build quality can/may account for a reasonable price difference. At the time of my upgrade from the K-5 IIs some 18 months ago, the price difference between K-70 and KP was nearly 90% and therefore not justified AFAIC.
All that says that, at equal settings, that particular 24mp camera resolves more detail than that particular 16mp camera. That goes nowhere to explain or backup your statement "With 24mp, I'm willing to forego detail to get good solid NR" and we're not talking about the K-3 here either. If you're just settling for any NR the camera firmware applies either in raw or before cooking the jpeg I would assume you'd have to settle for as good a compromise as possible between NR and detail retention. If all you care about is less noise, just apply a hefty amount of gaussian blur in post - you'll end up with zero noise (and a blurry image without any details).
I'm more interested in the SNR delivered in raw by any given camera model and I'll do my own noise reduction in post if needed. Then, I can analyze the noise characteristics of any given image and trade between detail and noise as much as I care for, using processor power, memory and processing time not available at the time of shooting due to hardware limitations of the camera.
Eventually, the K-70 SNR differs only slightly from that of the KP and only in the higher ISO ranges (which I tend not to use often). But you'll just say "whatever" again so I'm unsure why I'm spending time on this discussion.
Ha---Whatever !!!! Seriously, the Prime IV processor v. the Prime II processor in the K-70 does produce different results....while the differences may be miniscule to you, the density and the composition will be better in the K-3/KP. I know that the ISO limits in the KP are seriously higher than the K-70 and the 11 focal points are directly related to the same old K-50/K-5 on the K-70 does not compare to the 27 focus points on the KP....There are reasons why these cameras are in different price points. As I said The K-70 provides an advanced entry into DSLR world, the KP, K-3, K-1 series take it up a notch.
Again, it appears you are somewhat defensive about the K-70 and its limitations....I WILL REPEAT WHAT I SAID SEVERAL TIMES NOW: Just like any type of equipment, the person behind the lens ultimately dictates the quality and the differential of the shot itself. The right equipment in the right hands, always enhances the moment. The K-70 is a great camera I would take over any other brand in its class, Period. Now if you want me to take some RAW shots with the KP, I will do so and post them, but, that in and of itself isn't the whole story. I often shoot in JPEG with the K-3 and K-1ii because I can obtain an 85 JPEG out of the box with little or no editing. When you're taking 500 to 1,000 shots, it's significantly faster to produce quality photos with an ISO that is rrasoanable through 24,000.