Originally posted by Wheatfield I have three. If you want one, just send me some money and it's yours.
Thx for the offer.
Back in around '84 or so, I came very close to getting an LX . I looked at, handled it, hemmed and hawed, then thought maybe I need to think about this. I also wanted a medium format, actually a Pentax 6 X 7 with a 90 leaf shutter Tak lens, but it was over my budget then. But there was also the Mamiya 220 Pro F, TLR out there too.
It came down either the LX or the 220 Pro F and my wife said make a choice, either the LX or the medium format Mamiya.
I chose the Mamiya. It was/is a good camera. Still have it, with a 65 wide angle, 80 normal and 180 telephoto. It's been a good camera and I've got lots of good images with it, over the years.
Over the years...I've sometimes wondered...should I have gone with the LX ? Don't know, the LX would of been a phenomenal camera, but on the other hand I had a couple of 35 mm bodies already...ES ll, S1a, K1000 and vintage Leica llf. So I went with the medium format/interchangeable lens system that the Mamiya offered.
Probably do again...because I wanted medium format at the time and the Mamyia TLR, albeit older design...still worked well.
If I was a pro at the time... I would of gone for the LX . They are exceptional cameras.
---------- Post added 06-25-19 at 04:56 PM ----------
Originally posted by reh321 In 1969, when I got my first 35mm camera, I used 25 ASA Kodachrome - the film Kodak called 'K'.
In 1979, when I got my first Pentax DSLR, I used 25 ASA Kodachrome - the film Kodak called "KM'.
I could go on, but there is a pattern here.
One of my favourites, same time period, also Tri-X.
---------- Post added 06-25-19 at 05:06 PM ----------
Originally posted by Wheatfield Films were getting better and better from the 1960s well into the 1990s.
Some of the improvements were dye stability, this was something that wasn't visible, but it still mattered, granularity was getting finer with every new generation, colour fidelity got increasingly better, tonal range increased, etc.
Many years ago, like in the late 1990s, I did a series of tests for the PDML that involved testing various print films for dynamic range and granularity. I wish I still had them, but they are long lost now. One of the films I used was a roll of Kodacolor II that had sat forgotten in my deep freeze for some 3 decades.
It was grainier than Fuji 800, and had at least a stop less range.
One of the things that I noticed back then (I was working in photolabs at the time) was that Kodak was making very incremental improvements while Fuji was leapfrogging themselves. In the consumer end, Fuji was yards ahead of Kodak. Where Kodak excelled was market support. Fuji didn't sell much by way of large format B&W, for example, nor did they support the B&W darkroom or lab side of the industry.
Where Kodak had their finger in every pie of the photo industry, Fuji cherry picked.
About a year ago I was looking at some WHA/NHL pro hockey pictures out of local newspapers...sports page stuff. The pix dated from the '70's/ '80's and boy were they grainy. Made me think about progress in photography.
I think it was the '80s that I started dabbling in Fuji film, mostly Kodak though and a bit of Ilford...if memory serves me correct. I also did a bit of home development...B+W...but I didn't have a permanent darkroom, so that didn't last very long.
I have to say, although I still use my film cameras, I'm in the digital camp. It took me a number of years to make that change from film to digital and at first I resisted, until I my wife took our first digital (Panasonic) and I took the K1000 \35-105 A lens to the same event and I was quite intrigued by the immediate picture display on the Panasonic and also the pics from the digital really didn't seem too bad.
That was the incident that made me think...hmmnn...there might be something in these digital cameras after all.