Originally posted by ThorSanchez I need to rent another brand of camera and lens and compare, although I don't know if my curiosity is worth the $300+ it would take to get a sports-oriented Nikon/Fuji/Sony for a week with a good lens ... but I also get a lot of shots where the kids are all blurry while the background is sharp, or the kids are blurry and so is everything else.
The problem is, Thor, it would still be you shooting the Nikon/Fuji/Sony, if you get what I mean. Action photography is not easy.
The advantage of the data I've shown you is that it is standardized testing.
All those mistakes you mentioned happened to the shooters around me too, of all brands. I have seen American photographer Cory Rich preset manual focus for skateboarders with his Nikon D5, because he knew the system was not capable.
If the kids are blurry but the background is sharp as you mentioned, you've let the focus point fall on the background. This occurs frequently when you're panning and the subject slows down or changes direction. Unless you crank up your Hold setting in the menu to compensate for the error, what else is the camera supposed to do when it finds a nice tree or fence underneath its focus point? G.I.G.O!
By the time you've laid it back on the target edge or line, it now has to rack in from maybe hundreds of metres away, it may never catch up before the action's passed.
The other is where you make the mistake of focusing on a kid.
That's right, focusing on a kid.
The camera can't do that.
A PDAF focus system - including Sony, Canon and Nikon - attempts to focus on a line under a focus point.
If underneath the focus point there is just a blob of colour, like a sports uniform, it can't act.
So in the top photograph of yours, I like the writing on the shirt of the player with the ball - that's ideal PDAF material.
In the second photograph, it would be a mistake to train the point on the red shirt, I'd be aiming for the edge between the bottom of the shirt and the black shorts, and panning with that. You're going to have to shoot a little wider, because you'll need to crop the result to be properly composed, but it's more important to get the focus right or the result will be a throwaway.
Here's a pic I took the other weekend, that horse is coming at me at probably 60kmh in the z-direction, the hardest for any autofocus system to deal with, and I'm shooting at the narrowest depth of field: