I bought my Z first in 2014, and the K1 in 2016-ish as my backup camera, then converted it with the board replacement program to a mkII. Wish they'd do something similar with the Z....
Originally posted by biz-engineer 645z used are getting cheaper, but quite a bit more expensive than even a Pentax K1 Mk II new. Full frame high resolution (think for instance Pentax K1 mk III @ 60Mp) or 645z, is a tricky choice.
Well, for some, sure. Not for me. If I had to choose, it's the Z all the way.
Quote:
Pentax K1 has IBIS, 645z doesn't. Pentax K1 has pixel shift, 645z doesn't.
IBIS is handy! And it enables P/S and composition adjustment, so very nice indeed. Wish the Z had all of that. It doesn't----but it's still the Z for me.
Quote: Pentax k1 pixel shift files beat 645z files.
As a user of both, I question that.
Quote: K1 II new sells for <$2000, 645z used sells for more than $3800. K1 lenses cover FL from 15mm to 450, such range of modern AF lenses isn't available for 645z.
True about the range. Especially if you need UWA. I have the 25, and I only use it in tight quarters. It "feels" too wide for the 4:3 aspect ratio, but that's obviously also personal. But that aspect ratio OOC makes scenes look very different than the 3:2 OOC coming out of FF cameras. And I'm getting less enamored of wide and UWA shots---although with FF I will go wider than I do on the Z. As far as "modern" goes, I've had few problems with any of my 645 lenses---I have 14 of them now (although one is a 3rd party shift). I had another 5 that I sold/upgraded for. Only 2 were disappointing.
Quote: Moreover, the K1 body is smaller and lighter than the 645z body.
Well, um , obviously. I use the K1mkII when I need to be quicker (documentation) or when I absolutely must have 15mm. The Z is a tripod camera, although I've shot plenty with handheld. The Z is generally a slower-use camera.
Quote: Is it still worth the money getting a 645z kit in 2021, I'm not so sure.
Because that's your assessment of your use-case. Maybe not. I will add one more thing---looooove the files from the Z, the most malleable files I've ever worked with. FF seems "brittle" in comparison---and the files from the K1mkII are great. The only thing you have to watch with the Z is clipping at the high end---easily adjusted for. I routinely underexpose with the Z with zero penalty. You can google up (or search here) some astonishing examples of shadow lifting with the Z. DXO's rating for the Z's sensor is still one of the highest they've measured.