Originally posted by lmd91343 Notice the blue jeans the guy is wearing at the base of the statue and the guy on the bench. 720nm filters should not allow blue yet this one does. I bought the camera with it from Kolari.
No, getting blue in your final image is very possible with a 720nm filter. I have the same on my full spectrum K-3II. It all depends what the in-camera white balance is set to. Anything cooler than what is considered neutral by that white balance will show blue, anything warmer will be orange.
The infrared wavelengths above 720nm result in a different reaction of the RGB cells on the sensor as the wavelengths increase. Without application of the in-camera white balance the shorter wavelengths would yield a very warm saturated orange response (a lot response in the red, some in the green and a tiny bit in the blue), gradually desaturating (cooling) as wavelengths increase and RGB values get closer to one another, until somewhere above 800nm or so all three channels yield the same response and the result is basically neutral grey.
Applying a cooler whitebalance on a colour in the middle of this range (e.g. translating slightly desaturated orange into grey), will turn the greys into blues and partially desaturate the saturated oranges in the RAW. I.e. the effect you observe.
---------- Post added 28-07-21 at 12:03 ----------
Originally posted by cdd29 They put the correct filter on it, that I can confirm. One of my images is posted somewhere but I cant find it so here's a repost. White balance is good but there is a cyan cast in the lower corner. I've replicated this on a few different shots. If I shoot at a white wall, the color is even across the frame. Here's the test image. I need to go out and shoot alot of different things to check it. Might be environmental as well.
OK, for some reason I can't post a photo here. I've uploaded it, confirm it did but it doesn't display. That's new. So I have nothing to show the problem with.
Have you tested different lenses?
BTW, even a white wall that is illuminated from the side might look evenly lighted to our eyes, but it might not be necessarily so in infrared. You should shoot the same section of wall with the camera rotated to different 90 degree angles. If the cyan cast rotates in the resulting images as well, the infrared light in your scene is not even and your camera is fine. If all shots have the cast in the same location, the cause is likely in your imaging system, i.e. the camera-lens-filter combo, all three of which can be culprits.