I'd argue that your artistry is far more important than your kit. I looked at,
lusted over, Nikon as it was absolutely everywhere I cared to look. Pretty much
every camera I saw was a Nikon - shops/professionals/tourists carried them
everywhere (I work in London), so it seemed to be the only choice. Sad isn't it
and there's me thinking I was immune to the consumer/advertising drip-drip
effect. Duh to me!
So, I spoke to one of the guys in a local shop (one of the foremost Nikon
dealers in London) - his response? "You need to decide what you want to use it
for." A simple enough question. Here's a guy whose main focus was Nikon (new
and second-hand by the way which is another option) telling me to REALLY
consider what I wanted from my kit. High ISO, very little noise? High fps? etc.
etc. etc. and forget about wether it was Nikon/Canon/Pentax and how good the
badge/strap looked.
Get what you can afford even if it's a £20 1970's film camera. You can always
shift over to another system at some time in the future. OK you'll have to re-
invest, but if it's your livelihood presumably you're making money and cost
won't be such a big issue at that point. I'd hope so anyway.
I'm really sorry forum guys, I don't want to put someone off adopting into the
Pentax family I'm just trying to be honest as I see it. It feels like the same
thing I was pondering over for about 3 months before dipping my toe into the
world of Pentax.
Surely your imagery is the single-most aim. If it can transport or move your
audience, even if it's been captured on an ancient 35mm, or with a home-made
pinhole camera, who knows, or really cares, what kit you're using.
As long as it's Pentax
PS. Your eyes are far more important than the box you use. After that, it's the
glass.