Originally posted by WheresWaldo In a very narrow world this may be true. Let's go back to the analogy of RAW and JPG being similar to Negative film and print. Using JPG only is like telling the local Costco girl just give me the prints and throw away those pesky negatives.
Not quite. when you take film in and get prints, they do a lot of processing you actually don't want. they adjust exposure and contrast to suit their "norms" not specifically yours. Just bracket a shot and take it in to them!
Also they print in 600 by 480 resolution..
JPEGS are not throwing away basic resolution, really all they do is reduce the data from 12 bit to 8 bit, apply your settings for saturation and contrast, and apply some level of sharpening in camera.
To make a direct analogy of your metaphore here, we would have everything printed at 100 dpi, therefore my *istD images would be 30" x 20" and my K10D images would be 39" x 26" How much would that cost!
Quote: You say that you hardly ever post process, That is great if your intended output is one device and only one device. What if one of your precious relatives says "remember that picture you took of
you-know-who, I would love to have that as an 8x10." So now you go back to your JPG and for a print you need to enlarge then sharpen your image. In every world I live in (and some think it's more than one, or maybe that's just in my head
) using a RAW file would be much better than any JPG.
It is not that I don't post process, I routinely crop resize etc, I have just not found a need, for example to dig into the mud to enhance shadows, and have not found color corrections, especially WB to demand better than 8 bit colour for correction. Also I print anywhere from 8x 10 to 13 x 19, on 2 different printers one with a 6 ink system, the other with 8 inks, and also print significantly cropped images, as wella s viewing everything on a 22 inch monitor.
I find sharpening from JPEGs works fine, as does noise reduction, at least to the level needed, both of these can get seriously out of hand when over done, and I have seen examples even in print media where this is done routinely.
Quote: I think the real point here is, not that your workflow is more or less, or even knowing your camera, it is the ability to smartly archive and preserve the moment you are trying to capture with the most fidelity possible. This is the only way you can then manipulate the image properly to adjust it to any version of the reality your memory allows, at any point in the future.
there is no argument that raw stores more data, the issue is do you need it.