Originally posted by Christian Can it be that K10D owners are mostly shooting RAW and messing up post production? Maybe the replication of in-camera jpegs similar to D50/K100 is very hard to do from a RAW file? I do see that contrast can give an image depth but maybe people are making images over contrasty which makes images look flat again?
Well, I was going to ignore this, but since somebody else has picked it up approvingly, I guess I should weigh in. You ask "Can it be...?" Answer to that question is, "Yes, it can or could be..." But I don't think it generally IS.
It's true, if you let the camera convert to JPEG, you don't have to do it yourself on your computer. However, what's hard about doing it on the computer isn't the DOING part, it's the FIGURING OUT HOW part.
Now, the Raw conversion software built into your Raw workflow program (the software that allows you to read a particular Raw file type) has certain default adjustments built in. But in a good program you should be able to create your own additional default adjustments and use 'em if you like. I'm noticing that I always want to adjust the midtones on the tone curve in LIghtroom by a fixed small amount and I always want to add some sharpening, so I will create a preset for Lightroom that is applied when I import images. I can undo it if I need to, but it will be applied by default.
I don't think the in-camera JPEGs are the gold standard personally.
Will