Originally posted by Littlejohn Cool...one question tho (kinda off tropic) more then once I've read...the horizon isn't straight...why is THAT such a big deal??
(a statement on the site you linked reminded me of my question..)
That goes back to the opening question of lesson one from my favorite site to recommend to people, which is, “It’s a beautiful photograph, but do you know WHY it’s beautiful?” It’s basic composition. The framing of the image is usually rectangular. Strong lines in the image that aren’t perfectly vertical or horizontal will create triangles. Triangles that don’t follow the rules of composition look ugly. Horizons that are off by just a bit create wide but low triangles, which don’t look very nice. Horizons that are purposes shifted by large amounts to provide an effect will usually enhance an image.
In the Garry Winogrand (the one I presume you’re referring to) the triangles work to lead your eye around the photograph. Your eyes start off centered but then move to the right, following the downward slope. The incomplete man at the end suggests to your eyes to keep looking and the contrast between dark and light draws you upward. Another triangle draws the eye towards the left along the top. Once again, the contrast between light and dark draws your eye to the fellow at the end of the bench, where the process starts again. Your eye is drawn to cruise around the photograph, which gives the image a sense of being a living scene. There are other strong lines that you may not even realize…the row of legs and heads will pull your eye one way or the other as you loop around, adding interest to the living scene. It's a great photograph.
Here’s that site I was referring to…
Classroom - MorgueFile