This is a heartwarming thread. I have emotional issues. I think my first breakdown was around 2000. Therapy was fantastic and gave me the tools to deal with the second in 2013 when I was made redundant. It is a constant battle but photography and especially this forum have been instrumental in my getting through it. I don't use social media as a stand in therapist, that would be dramatic lol, it is however a great place to see flags. I often didn't realise that I was dancing on the edge until I reacted unreasonably to the views of a fellow pentaxian! The support I received from the moderators, especially @TexAndrews & @BigMackCam were excellent, far beyond what I could expect, but the help I received from @SandyHancock was immense. I identified the fact that I was better when I participated. I was a single in/Daily in regular and it is genuinely good for my health. The guys on the "ins" are both excellent people and tremendous photographers, it has quite the community feel and is a tremendous, safe and inspirational form of motivation. Yours @brettday wouldn't be the first GRiii, @Minimonster posts epic stuff with his.
In terms of film, it could possibly become as overbearing as living cameras. Each film has its own character, as does each developer, then you factor in pushing and pulling. Take XP2, its brilliant and can be shot anywhere between 60 & 3200, it is designed to be developed in colour chem but you can use B&W developers and even coffee. All these variables fry your brain!

I felt I should add the warning

It is a wonderful experience though. Many people who grew up with film would never go back. It isn't tack sharp or instantaneous but, for me, therein lies the charm. Early cameras have a ritual that you have to follow. With leaf shutters you alter your settings first, with barnack leicas and Russian copies you wind the film, cock the shutter then set the exposure. Retinas have to have their focus set to infinity in order to close the cameras and if you forget to set the frame counter it stops working when it hits zero! The cameras themselves are beautiful pieces of engineering. I have two Twin Lens Reflex cameras (6x6 medium format). One is a 1946 Zeiss Ikoflex, the other is a 1972 yashica-mat. Using a TLR is an experience in itself. I have a Zeiss Nettar (6x6 again) which is a very basic folding camera that fits in your pocket, I have a fed3 Leica copy, a spotty, an MX a super complicated contaflex and a pocketable Ricoh rangefinder. Using them is less about the final image and more about the experience. Even viewing the images is different to digital. I have become completely absorbed by it. If you fancy trying film Brett, for its lack of immediacy I have two cameras you can have for free (assuming you are in the UK). I have a modern Pentax P30 that has a winding issue but is eminently fixable and a voigtlander Vitomatic ii that has a duff rangefinder so zone focusing is the way to go. As for film, XP2. You can have it developed by max speillman or do it yourself, either way, the results are stellar.