Originally posted by Giklab Many more DO use in-camera audio. Many people also use external stabilization for video, so why not disable SR anyway?
External stabilization is heavy and expensive.
Yes, people use in-camera audio. But I'd argue that the microphone and electronics in the K-5 at least is so bad that it doesn't really matter if you hear any noise from the SR system. I doubt the K-3 improves much upon it. Someone who is satisfied with the built in microphone will not mind the SR. I mean, I do use the built in microphone because I haven't found anything external that suits my needs and budget, but I don't have any high expectations of it. Lots of wind noise, lots of other noise, crackling sounds at loud places (or if there is a certain frequency it seems...), ...
Also, if I am willing to use external stabilization, why would I buy Pentax? Panasonic and Canon are way superior to Pentax, and even Nikon is better (and cheaper). The option of mechanical SR is a selling point, a (sort of) unique advantage. Yes, Olympus has it, and it's better there, but they'll offer all frame rates you could ever want... as long as all you want is 30 fps.
Btw., the way the K-3 does it it also means the frame is cropped, and it is always cropped, even when you have deactivated MovieSR. To be honest I'd rather have the K-3 not even offer MovieSR if that means it won't crop the frame, because MovieSR is actively destroying whatever you shoot.
The K-5 is not a camera for beginners, so Pentax doesn't have to treat it's users as idiots. I want many different SR options. No SR no crop, no SR with crop, IBIS (in built image stabilization) no crop, IBIS with crop, MovieSR with crop, IBIS + MovieSR with crop (IBIS would balance out the fast movements, MovieSR the slow ones, and it can slowly move the sensor back to the center if necessary, to basically extend the range that the system can balance out). Overlay on the screen to show sensor position. Utilize some of the buttons that aren't used while recording to lock the position (the sensor will try it's best to hold the position), to change settings (such as telling the camera that the next movement is a pan), to deactivate SR for a moment. Different levels of IBIS strength and behaviour.
Same with the video encoder. Let me chose h264 (at different bitrates) AND MJPEG (different bitrates too). And a white balance lock that stays (even when you off the camera) until you tell it it's free to shift again, and it has to work while recording. Give overlays with common movie aspect ratios. Punch in zoom taking a crop out of the sensor immediately, even while recording. Histograms etc. meant for video use. A cinema preset. etc.
There is simply no need to dumb down the camera, there is always the possibility of an advanced options setting that will open up the UI. Basically like the green mode, just in reverse, and set in the menu.