Originally posted by Danas_Anis So the only small hope is Pentax K3 mk3,
That would bring the brand up to the same standard in video as in stills, so long as they remember to up the Data-rate, or fix the HDMI.
---------- Post added 10-08-16 at 05:37 PM ----------
Originally posted by Danas_Anis So looking at all lines that are left not updates is either 645z successor ( completely doubtful to do anything about video nor the price point would be attractive, people would go with the RED video cameras for the price, makes much more sense for video making)
There isn't a Red you can get at the same price as the 645z that you're 'Ready to film' on for those dollars - minimum entry to red filming is really $20k AUS, around $15k US.
At the same price bracket as the 645z, but capable of 4K, you've got Cion, Sony FS5 & FS7, BMD Production Camera & Ursa, and KiniMini4K, which are all "Super35" class sensors, three of which use the same Global Shutter sensor.
Outside of the 645z's HD-only video capability, you have to go to 3 to 4 times the price to find another camera with large sensor that can output video, and the 4K to 8K crowd gets very stratified.
Side note,... The Arri Alexa, known as the best digital cinema out there, isn't capable of 4K.
https://en.wikipedia.org/wiki/Arri_Alexa
(Open Gate Mode is the bit I'm interested in there.)
As much as my own needs include 4K, for the average consumer, HD is more then high enough resolution, and the APS-c / s35 sensor class for DLSR's & MILC's would benefit more by improved quality at HD.
Flagship models, like the K-1 for FF and K-3 for APS-c, should have record-able 4K output to the HDMI as a minimum.