If I could find proof that the output could be recorded to my Shogun (via the certified dongle) I would have bought one already.
I think there's a lot of people underestimating how much value there is in the KP's light sensitivity for video - the Only other cameras out there that have the same useful ISO range, are Sony's A7s, A7s2, FS700 and FS7.
Even as the outgoing model, the A7s is about halfway between the price of the KP and the K-1, admittedly with FF sensor, but with No stabilization options - the 'big deal' for the Mark2 versions of the A7 range, was Sony's version of Sensor Shift.
Their works in video as well as stills, exactly the same as Panasonics on the M4/3 sensors.
(*Yes, the A7s2 got internal 4K, the A7s only does 4K externally)
Thing is, the KP is natively a "Super35" sized sensor, which means for HD footage, it matches the look of other Super35 cameras - BMD's, Red's, Kinefinity's, Arri's, Cions, Canon C-series - which in turn means it would slip seamlessly in to projects with those cameras, where the end to end workflow is HD.
The comment I always hear about my K-01, is how people love the colour reproduction.
It'd be nice to see the same colour accuracy in low light footage.
Even better if it was externally recorded 4K.
Think I'll be messaging CRKennedy to see if they want to 'sponsor' a KP based test shoot soon