Hrrrrm,...
In the first few minutes, I'm noticing the fine detail in the shadows, the bark on the trees showing the data rate is much improved, but still not high enough yet - just before the 4:30 mark, the subject walks past and embankment, where after his shadow passes, there are patches of the stones that flicker and change brightness level, with the patches being areas of separate compression processing.
These artifacts no doubt only show up in edited footage that is getting re-compressed by Youtube.
During those first few minutes, I can also hear the self-noise in the camera's internal systems, some of the motor noise for the IBIS system, sounding more like raised background noise floor then the clicking of the previous systems - I can recognize it as I've held the body of cameras against my ear to listen to the internals
It is quiet enough to be mistaken for wind noise by most people.
5:10,... the light though the water bottle,...Niiiiiiice.
6:19,... and there it is, botches of colour as the CoDec runs out of bit's to use when dealing with the noise in low light / high ISO scenes. As the subject fits the head light, note the blotching in the sky, but the sharp blotch-free image where the head light illuminates the fence post.
This will be avoided if we're able to record the HDMI output on to an external recorder with a better CoDec, this is the test we all need to see.
The 8-bit output will limit this though.
Note when walking through the fog, in places the bit allocation of the CoDec actually leave the subject almost transparent as some frame have him in the image and some don't, as the bits are spread around the image.
With Youtubes auto-translate,.. YES! his point about the Colour Science of Pentax in Stills and Video being the same, is something I've kept on about for a long time. Pentax's Colour Science for Jpegs and Video, is far far superior to Canon's, Sony's, Nikon's and Panasonics Video Colour Science, with only Nikon coming close.
He then mentions being able to change shutter speed, f-stop and ISO during recording - this is something that us Pentax Video folk are used too, but other DSLR makers don't seem capable of performing.
13:45 is the demo of the IBIS,.. it rocks.
---------- Post added 16-05-21 at 07:56 PM ----------
Originally posted by repaap It might be silly to put all those markings of ISO and shot with K-3III at there, if it was not shot with K-3III. I'm very impressed. Sure, it is not 10 -bit and all that what is in real video camera, but honestly, it has pentax colour and very natural feel in it. What more is needed for camera like this.
10 bit HDMI and Flip Screen?
Okay, maybe 200mBits HEVC for the 4K
Originally posted by repaap ISO 6400 was quite good(even my Black magic pocket 4K falls a part above 8000 ISO) 25000 ISO could be usable but not really.
Yep, those sorts of ISO's really need much higher bit rates, but really, if people need to shoot in that low light, they're better off hiring a Gaffer and Lights.