Originally posted by kadajawi Except that the lens you linked to is charging a premium, and giving you all this (ie. poor optical correction and correction in software)
So too many of the wider angle Oly, Panny (optical 25mm and lower) and Sony lenses.
They are not cheap.
The ones which are cheap are mostly the kit lenses and the lower end lenses.
Consider too than many other shooters (esp. those who shoot other genres) may prefer to get that choice to add vignetting or not.
Not have it w/o a choice.
Originally posted by kadajawi Not sure I'd consider them small.
Not against this:
I mean, come on. It's the equivalent of our 18-55 3.5-5.6 lenses, and it's tiny. That's what I want. And if they have to correct the lens in software for that, so be it.
Not really.
Use one and you will know that the distortion characteristics is that of a 14mm-42mm.
The barrel distortion can be corrected (to a point mind you, it can still be seen) but the perspective distortion can't.
Its not the same as a 18-55.
Start to push your files a bit in PP and it breaks up sooner too, because it was already manipulated for the lens corrections.
Was a m4/3 user.
Been there, done that.
Originally posted by Rondec Does anyone make a 22mm f5.6 lens for full frame that would be equivalent to a 15mm f4 on APS-C? In the same way, there aren't any full frame zooms or primes that are as slow as micro four thirds lenses.
There is a Voigtlander 20/3.5 that is close in size, FL and speed (not optically -arguable)