Originally posted by surfar Yes, considering Fujis 2/3/4% of the market they are on a winner.If they take the 1% of the market with their 3 models(by May next yr)then I's say they will be pretty happy.99%, maybe...but what about the people who pay the BIG $$$ ...once they see the images,99 becomes 98.5/98 maybe?
Those people are buying the 100MP Phase One cameras with true medium format sensors. Even former Fuji evangelist Zack Arias still shoots with a Phase One. Fuji changed the rules of the X-photographer program. To be an X-photographer you have to shoot exclusively with Fuji and Zack wasn't going to trade in his Phase One for a GFX-50. He still shoots with an X-Pro 2, but he is no longer an X-Photographer.
Originally posted by surfar After a while Fuji discounts, mid 2019 its 4K(just a guess) so used price is 3.5....2020 its 3K used...YES, i'm buying at that price(although i can buy now i have other stuff that i rate higher).
Your lenses are still going to be $2,000 a piece.
Originally posted by surfar MF isn't fast, never has been but landscape/product/architecture and with 50R and the new pancake its a top end street shooter.
There are not a lot of people shooting street with a $4,000 body that is as big as a DSLR. The bulk of medium format has been portrait, fashion, and wedding, not landscape/product/architecture. The death of the magazine industry has changed a lot of that, but historically landscape and architecture has been the domain of large format film. There was a period of time when most your upper-end wedding photographers were shooting medium format.
Originally posted by surfar Of course, it wasnt the speed but the price that i was comparing.
You need to put the price in context to the performance and capabilities of the camera. Something has to justify the cost.
Originally posted by surfar Yes,of course...but it opens up a price bracket that will attract buyers.
The lenses are still the same and that is going to be the biggest expense.
I love medium format and I think that larger formats benefit the most from the removal of the mirror box just due to the size. MF users don't expect blistering frame rates, but they do need cameras that are fluid and operate smoothly. No lag, hunting, or delays as you make selections, focus, or release the shutter. The GFX-50s is not a highly polished product so I don't expect the R version to be either. The next generation is coming next year, and I expect it will be a much improved camera. The 100MP sensor is not really exciting to me, but adding PDAF to the sensor means we should see a faster camera that a working pro will feel better about.