Originally posted by TaoMaas Newspapers who need their still photographers to be able to shoot video for the website along with stills for the paper. TV stations who are looking to cut their equipment costs while expanding their look and capabilities. Corporations who can now afford to have their own in-house production group, where they had to always farm out that work in the past. Small production companies that start up because equipment that can give professional level results is no longer prohibitively expensive. Smartphones aren't going to work for those folks.
Phone cameras have taken over news visuals for roughly two decades, because the most important feature is to be there at the right time. Phone cameras connected to the Internet, so the images could be sent off without worrying about smuggling memory cards or hooking the phone up to a computer, just accelerated the process. Today's journalist is always packing a smartphone, the only field where professional equipment is mandatory is covering sports, because sports are really just unscripted entertainment and the viewer wants a reasonable facsimile of attending a live event, so the demand for HD broadcasts. I'm not an expert on pornography, but it seems that "amateur" and "homemade" is where it is at. You are right about small production companies needing something better than smartphones, to serve a couple of niche markets in between big-time video producers (multi-million dollar entertainment products) and redneck Youtube videos on welding techniques. Those niche markets are expensive private events; mainly weddings, but also corporate events where the client is willing to pay to own souvenirs that are obviously professionally made. Think of production teams of as few as three people to handle all the creative work and that's the market for video capable ILCs. Modern Fellinis need to pony up for RED and all its related infrastructure; the rest of us will use smartphones because we aren't going to invest the time, effort and emotional capital necessary to get superiour results from the camera equipment we are already using for stills.
Originally posted by TaoMaas I think we may be looking at the MILC trend too much from a still photography perspective
I agree with you, but there isn't a pot of gold at the end of the videography rainbow, either. To make a living as a photographer, most of them will have to pick up every bit of work they can find, some of which will be video, but that market doesn't compare to the hobbyist market and hobbyists will stick with what they know (and most of us are old enough to know about film photography).