Originally posted by normhead I'm always moved by the excitement level of people with new toys.
Thanks for sharing the high.
It's like Christmas in the middle of the week.
Personally I assume I would make any camera system I bought work.
The first question I'd like answered would be couple images showing why one camera was different than another, and why the finished image from one camera is preferred. If that's not there, I'm not really interested. I do the same comparisons with lenses. If you've shot view cameras, or film MF, you've already proved you can work through a camera's lack of whatever technical "advantage" and just get through to the important part.
That for me was answered easily within the first 2hrs of owning an XT4. I placed the Viltrox 56/1.4 (85/2 ff equivalent) upon the XT4, grabbed my 10yr old daughter and asked her to run up and down the garden as fast as she could whilst I use Face/Eye detection in AF.C mode at the widest aperture. Holding the camera in portrait orientation I burst fired as she ran towards me. Upon review I saw the vast majority of shots have her face in focus, body slightly out of focus (as intended), with very few shots overall out of focus. And this was a test, without understanding the camera properly or engaging features that might have enabled an even higher amount of keepers (I also did not have UHS-II cards at this time).
The results of this test can be seen here;
https://www.flickr.com/gp/95230640@N04/Sg402dA80W
Anyway, I tried for a millennia with Pentax cameras over the years, different bodies, lenses, AF combos and nothing even remotely got me close to the success of
these type of (test) shots.
So I think the 'important part' here is not always in the IQ, or the colours, dynamic range or whatever, its in the actual performance and what it could manage to capture, with ease, replicable and not fluky, but reliable and repeatable. And this is the major reason I use Fuji for paid work over Pentax, I get a far superior keeper rate, moments captured in time. No point having an excellent high dynamic range sharp file to work with if the people are slightly oof, or caught at a moment where their eyes are closed. Give me a lower IQ, lower dynamic range file to work with where the moment caught is gold any day of the week. I can work around IQ and dynamic range, I cannot work around a garbage capture.