From (some nice photos on the site) see link below. Seems like a nice person. He's obviously well paid since he just did a job for Range Rover (photos on this blog) but he took the time to answer quite a few questions from his comments section. The bold and italics on the dancing are mine...
Ummm. Maybe. Ummm. Yes. :: Fuji X-Pro 1 Review • Photography By Zack Arias ? ATL ? 404-939-2263 ? studio@zackarias.com
• Is it worth the money? Yes. But that’s coming from a guy who worked one off right? If you ever lusted after an M9 then this camera is right up your alley. You’ll be all over this camera because compared to $7,000, the $1,699 price tag for the X-Pro1 body is a steal. If you’re rocking a $500 DSLR with a kit lens then it’s a big stretch. There is a place for this camera at this price point in a working photographer’s bag. If you’re just starting out then you’re most likely better off to put your money in your DSLR kit for awhile. If you have a full DSLR kit and you’re looking for that “something” then this camera is that “something” you are looking for.
I’d have no problem pulling this out at wedding or other event.
NOT for night time dancing shots but hell, I hate my 5d2 in those situations. Portraits. Getting ready. Detail shots. Yeah. Oh, and the macro mode on the 60mm is awesome. That would be my detail lens. We’re talking about a camera that weighs less than most of your lenses being job worthy and still fit in a large pocket. It’s much quieter than a DSLR and would allow you to look more like a guest than the hired gun when the crazy “NO PICTURES EVAR!!!” church ladies come around. Hand the X to your second and stick them in the third row. Done. I mean. Honor the rules. Don’t ruin it for the next photographer but, ahem, (third row with the quiet non pro looking camera and get the shot) Ahem.
Parting thoughts…
I’ve run through the gamut with this camera both physically and mentally. I’m really glad Fuji gave me the camera as it is missing some paint now. It’s not weather proof but it has been in the rain, had mud slung on it, and held an inch from running water. It’s funny how I wanted it to be what it kind of is but it was a bit of a journey to figure it out. This isn’t the camera you hand to your mom to grab a few shots. I’ve watched very talented photographers pick up my X-Pro1 and sort of scratch their heads after taking a few shots with it. I then explain how you have to stick your tongue out a certain way, stand on your left foot, grab your elbow, and click your heels three times to get the most out of it. When you do all that… angels sing. Really.
I did a job yesterday with this camera along side the Phase. I’d get my main shot with the Phase like this (ISO 50. Lit.)
With the X-Pro1 hanging at my side I would then pull it up for an “available” light shot for a different look. (ISO 800. Lit with the modeling light from a beauty dish. The blue light is daylight mixing in. WB set to tungsten.)
With the small size of the X-Pro1 it can always be on your side. You can shoot with your main camera and then pull something different off without skipping a beat. Having this camera on you isn’t a “commitment” if you know what I mean. Go shoot a 12 hour wedding day with two DSLRs hanging on you and you’ll know what I mean by “commitment”. With an X hanging on one of those BlackRapid SnapR straps it’s the same as having your phone in your pocket. Even though Instagr.am just got bought for a cool billion, ain’t none of us shooting major jobs with an iPhone. This camera however can shoot a job. Unless the job involves bob sledding or toddlers. Or toddlers bob sledding. Get a Nikon for that job.