Has sony acknowledged this issue and offered a solution to it for those who have already bought the affected cameras?
I know this thread has been a bit de-railed enough already but here goes.
Originally posted by osv i converted the sony arw to dng with the free adobe converter, and i haven't even opened the dng to look at it.
The converter did a good job, the DNG looks fine, reviewing the image on my Eizo monitor (calibrated this morning) optically the lens itself reminds me of the SMC-K 24mm f/2.8, though the macro and micro contrast is lower*. Again, sharpness is difficult to accurately asses with the lens stopped down so much. There is a possibility your lens may be a bit de-centred as the astigmatism isn't equal on the edges of the frame - there is more of it on the right side of the frame than the left. There is a very slight magenta colour cast in the extreme corners of the image along with Blue/Red CA and PF being apparent, but with the correction tools in Lightroom 5.3.6 these issues can be cleaned up nicely.
Originally posted by wombat2go Looks fairly good on the Eizo here. Can you give more detail about how you assessed "microcontrast" on it and "diffraction blurring "?
Originally posted by Christine Tham in general, micro contrast improves as you stop down wide angle lenses...
To clarify : micro contrast is one of the first things to be affected by even slight diffraction blurring - Micro contrast is defined as the ability to resolve close boundaries between similar colours clearly - diffraction blurring can severely reduce a lenses ability to render these micro scale differences, and if diffraction is high enough even macro contrast can be affected. Micro contrast cannot be photoshopped into an image, only macro contrast can be affected by common sharpening tools. Deconvolution sharpening is a promising method of enhancing micro contrast but it is computationally demanding as the image output size increases.
100% un-sharpened crop from the central portion of the image osv provided.
If this lens had a high degree of micro contrast, the power lines would have greater clarity in the way they were resolved against the blue ocean. Diffraction has reduced the ability of the lens to resolve of such fine levels of contrast.
Here is a rather extreme example of diffraction:
100% un-sharpened crop from Pentax K5IIs sigma 8-16mm f/4.5-5.6. @ 16mm Originally posted by Christine Tham don't worry too much about Digitalis comments - I have him on my ignore list because I don't really like his attitude and his comments are often off the mark, I didn't see his posts but judging from your reply I didn't miss much.
Communities don't grow from ignorance, you of all people should know better Christine Tham. I don't have you on my ignore list.
*though to be completely honest, the SMC-K 24mm f/2.8 isn't exactly what I would call the greatest 24mm lens ever. It has a ridiculously short focus throw for a wide angle lens and you really have to stop this lens down to get the corners to look good even on APS-C cameras.