Originally posted by itshimitis You're telling me that no-one with a DSLR gets 'G.A.S.'?
Where did I ever say such a thing? I merely said "the majority of serious photographers" are pragmatists rather than neophiles. Majority could mean 50% plus one. It certaintly doesn't mean "no one." You just didn't read my post carefully enough and then, perhaps because you didn't like the general tenor of it, you misinterpreted it.
Originally posted by itshimitis In fact the bit I have put in bold is absolute tosh.
Do you happen to know anything about social psychology or behavioral economics? I didn't think so.
Originally posted by itshimitis I have the A7RII, but I also have the 645Z and a Canon DSLR that is on permanent loan to my brother in law. I also have 3 film cameras. I'm not the gollum of the photographic world, so which camp do I sit in?
You obviously don't sit in any camp. You're sui generis. You do realize that many (if not most) serious photographers can't afford an A7RII, let alone a 645Z?
If I were rich, I'd probably get a 645z and an A7RII as well. Why not? But I don't make the mistake of assuming everyone thinks like me.
Originally posted by itshimitis Yes mirrorless is relatively infantile, but that is not to say that it won't mature. I remember a similar discussion when digital first became mainstream... we know how that one transpired...film is still there but is a minority.
The advantages of digital in relation to film were much greater than the advantages of mirrorless in relation to DSLRs, so the analogy does not really hold. Furthermore, digital technology wasn't really all that disruptive or expensive. Nearly everyone in the market for a camera already owned a personal computer. If they owned film gear, all they needed was to buy either a wide angle zoom or a standard zoom and they were done. The rest of their lenses they could continue to use on their digital cameras, sans adapters or ergonomic maladroitness. And to cap it all off, the transition to digital occurred (mostly) during an economic boom period, when consumer confidence was high, and consumer purchasing power readily attainable. If the move to digital required (1) everyone to replace all their lenses (to retain fully functioning AF and avoid the kludginess of adapters) and many of their accessories and (2) was undertaken during a period of economic decline, eroding consumer confidence, and massive debt, we would have more people, maybe many more people, still shooting film today.