Originally posted by Digitalis Just because someone wants a supercompact gutless optical wonder doesn't mean the rest of us have to suffer for it. In the end: we all shoot the glass we deserve, because of the compromises we are unwilling to make. I haul some pretty heavy lenses even when I'm traveling: It is a price I pay, and I pay it gladly, because I know my lenses are the best - they won't let me down.
yea, and that's all fine, but for many people sacrificing mobility is the compromise that they won't make, and it sometimes makes all the difference between even making a photograph or not at all.
I can't think of one - not one - extraordinary image where the sharpness and lens properties being better would really matter. None of the most famous lasting, most interesting works of photographic art rely on this, and if they do they don't mess with small format at all. Soulless commercial, scientific and architectural reproduction might matter in this realm, but that's not really the argument I'm hearing. Migrant Mother is out of focus. No one cares. Robert Frank has lots of blurry, grainy 35mm frames.
Wanting the technically best equipment is one thing, but framing it as is the uncompromising righteous solution is silly, unless your use is extremely specialized (which hey, maybe it is, but for most people it's not) because it has no bearing on making a better picture, just a negligible (if at all) perceptible difference in detail and reproductive accuracy, which is where photography is at its most boring as a creative pursuit anyways. As someone who has travelled plenty with 4x5 and 6x6 systems to a stocked traditional DSLR kit with big telephotos to mirrorless and everything in between, heavy lenses and equipment definitely let you down when you can't use them as easily. That even applies to landscape work.