Originally posted by jatrax To be fair to the OP, I think he asked an honest question. Perhaps phrased a bit loosely. At least I'm giving him the benefit of the doubt.
Others have turned this into a Sony promotion video but the OP just asked a question.
Bingo.
Originally posted by jatrax Which I still don't think he got a real answer to. At least not in simple terms.
Well, I still maintain that the K-50 (which I don't own, but isn't a million miles from my K-5, K-3 and K-3II) is capable of producing largely equivalent images - when viewed or printed at realistic sizes - if, and only if, it is used to the best of its abilities - which, sadly, almost certainly doesn't include the auto mode. Nothing wrong with auto, in my view - people should use what they feel comfortable with, so long as they understand what they're getting. And the Sony is probably streets ahead of the K-50 in that department - the sensor is new and improved, the JPEG algorithms will undoubtedly be at the forefront of their game. But if both cameras are used in their so-called "creative" modes - manual, aperture priority etc. - to get equivalent creative effects, and particularly with raw capture rather than JPEG, then the differences really shouldn't be significant in typical shooting conditions, at typical viewing sizes.