Originally posted by northcoastgreg I'm deeply skeptical of this. These are expensive products that appeal to a minority of photographers (essentially to photographers with special needs and/or upgrade junkies). The local camera club where I live has somewhere around sixty members. I don't see a single person in the club buying one of the Canikon mirrorless. The systems are just too expensive and very few of the members care about the technology. No one in the club other than myself does video. Only three people club ever use burst mode (probably half the people in the club don't even know what burst mode is). The vast majority of club members are shooting with APS-C DSLRs. Why? Because they provide the best bang for the buck. We've had five people migrate to Sony FF mirrorless. They all bought the original A7 and they did so primarily because of price. They're rather lukewarmish about Sony and have come to absolutely despise lens adapters (because they're not technically accomplished enough to get the darn adapters to work with their Nikon lenses).
My sister's an accomplished book cover photographer. She's still shooting with a Nikon D7000 and probably won't replace that camera until it gives out. She knows quite a few photographers, mostly female, doing stock photography with (primariliy) APS-C DSLRs. The biggest complaint these photographers is not that their DSLRs don't have high enough burst rates or aren't good enough at video or any of that bells and whistles hype, but that digital cameras in general are too complex. Mirrorless cameras seem to be catering to the deep pocket gearhead/neophilia crowd, I'm not convinced that those people represent the majority of serious photographers. There are quite a few photographers out there, many of them female, who are more artistic than technical in orientation, and if you tried to sell them on the (primarilty) technical virtues of mirrorless cameras, they would look at you as if you were a crazy person in desperate need of some TLC. The problem with mirrorless is that, despite it's technically advantages (most of which involve features the majority of photographers either don't need or wouldn't have the technical wherewithal to access), it doesn't produce images that are any better than what you can get out of a DSLR.
I'm not a deep pocket gearhead, although I would like to be.
I would need to win a lottery...a really big, substantial one....and then I could be a spendthrift.
I already know what I would buy, given this extravagant fantasy...the Pentax 645, Canon 5D$, Nikon D850, Leica 240 rangefinder, SL and while I'm at it, give me one of those Monochroms...and then the Canon R and the Nikon Z's but make that the top of the line Z7.
I do agree with you. Many photographers the avid amateurs of which I count myself as one...are not going to get these new mirrorless cameras. For most there is only so much budget available and ASP-C is the best bang for the buck. They may eventually work there way up there as cash flow improves, but maybe not...so much to choose from and who wants to start having to buy another lens mount when it comes to lenses.