Originally posted by biz-engineer "PRO" is a big word.
No it's not.
It's just a word like any other.
Originally posted by biz-engineer By today's image quality standards, full frame IQ became consumer.
It will always be a difference between micro 4/3, APS-C, full frame and medium format if we talk about image quality in certain circumstances, like large prints or high ISO.
Originally posted by biz-engineer While the Canon glass is certainly excellent, I think all camera makers miss the mark by still making full frame format for professional use.
Why they missed the mark?
Originally posted by biz-engineer There is a huge lack of investment in the medium format. BTW, I wouldn't buy full frame photos for big prints anymore, it's just that the quality that used to be standing out in the 5D days, relative to apsc images, doesn't stand out anymore.
I'm sure that the ones who need big quality prints for commercial use have medium format cameras. Those photographers are in small numbers because they don't work with quantity in terms of clients like the others, but they work with clients with big budgets and they charge 5000$ - 10.000$ for a shooting session. There are few such clients...
Originally posted by biz-engineer Canon should lead the way by making a good MF system, and let a single product line of FF mirrorless for the consumer segment.
Why? By going to medium format you go to a niche market where there is already competition: Hasselblad and Phase One. I haven't seen photographers selling their big Hasselblad or Phase One cameras and jump to Fuji medium format cameras... And there is a bigger Pro market for full frame: sports photographers, wildlife photographers, wedding photographers, etc. Pro doesn't necessary translate into huge prints. But pro gear like Canon L lenses means:
- solid construction
- no chromatic abberations
- fast and reliable focus
- excelent micro-contrast
- etc.
Same with cameras... why a sport photographer will go next year to Japan's Olimpic games with a medium format camera? By going with a medium format camera that photographer will be a pro among the ones shooting with 1Dx/D5 cameras? I don't think so.
Even if he manage to get some wide angle shots with a medium format camera that will look better printed large than the ones taken with 24mp sport cameras, he will miss a lot of shots because medium format cameras aren't suited for action.
So, to me the 6 RF lenses are pro lenses for what they deliver compared to consumer lenses. I see this every day when I'm shooting. I use 85mm f1.8 lens when I go out to have fun because it's light and small, but when I have some paid portrait shootings the 85mm f1.8 stays at home and I use 85mm f1.4L and it's a completely different experience with different results.