Originally posted by BlankGeneration Hi all,
I'm looking to invest in a Pentax Film SLR. I will using this for band photo shoots and gigs. I currently use a Pentax K1000 and have had some decent results but I struggle with the metering at concert venues. I tend to shoot 1600 and 3200 ASA film indoors and 400 outdoors.
I'm looking at the Pentax Super ME or LX as I've been told these have much more reliable metering. I will be keeping my M 50mm 1.7 which has been a great lens for me but I am also looking for some fast primes for concert photography and that can double up as portrait lenses. Any recommendations would be great?
Any help or feedback would be much appreciated
cheers
Both the cameras you are considering would be more convenient than a K1000 for photographing concerts. As others have mentioned, ease of focusing, bright shutter speed displays and greater meter sensitivity are nice. However, they won't solve all your problems. A K1000 properly handled will still produce better results than an LX used by someone who doesn't understand TTL light metering.
My guess is that your level of experience is such that you have limited awareness that light meters can easily be fooled. For example, a subject that is very light overall will cause underexposure. A very dark subject causes overexposure. A very light subject surrnounded by a large dark background will often end up overexposed, depending on the TTL meter's sensitivity pattern. (I'd expect that to happen quite a bit with spotlighted musicians against a dark background.)
My impression is that you are on a low budget. If so, I suggest that you spend a bit of money on an old used photography book or two and read up on metering before you blow a whole lot of money on a different camera. You might also look for Web tutorials.
If you are working in a small venue where you have access to the stage, you could arrange with the lighting person to go on stage prior to the performance and meter at the positions of the musicians.
Larger venues with limited access are a whole other game. I used to work with a 1 degree spot meter- made things very simple. I could meter the players' faces and know exactly what I was getting. Some film cameras have spot metering functions, usually around 3 to 5 degrees.
If you are working in a very low-budget venue you may find that lighting levels are low enough that fast primes are essential. As for me, I'd check on whether working with zooms wide open is a possiblity. At many concerts I've been able to pull off 1/125 at f/4 with ISO 400 film, which is doable with a zoom. An affordable lens that would work in that situation is the M 70-150, which has a constant f/4 maximum aperture and is an excellent lens overall.
I think you'd be better off buying a K-X with a couple of kit lenses than throwing money at fast primes other than a 50. The high ISO performance of the K-X reduces the need for fast lenses, you avoid the cost of film, and you have instant feedback on exposure. (A 50 would be a lovely lens to work with on a K-X in a small venue.)
I continue to shoot film for certain things, but would certainly go digital for serious concert photography. Even my nasty old K20 would blow nearly any film camera away.
John