Originally posted by nottoohairy Here are some insights about this topic by Mike Johnston:
My Favorite Lens
I have recently picked up one of these lenses in really nice condition, but it has the yellowing.
Here's a photo that I took with it mounted on my K100D Super. It doesn't really show the qualities of the lens' characteristics, but it's the only one that was convenient to up...
I think Mike Johnson's piece says it pretty well. Personally, I wouldn't advise a beginner to agonize over getting exactly the "right" version of a normal lens.
Any Super Takumar/SMC 50 or 55 is capable of producing fine results provided it is in good condition. Super Multi Coating is a distinct asset in terms of flare resistance and light transmission.
I suggest that the OP might just keep things simple. 1.4 lenses are cool, but slower 50s/55s are easy to find, cheaper, not prone to yellowing, and make an excellent entry point.
My own approach is to use SMC lenses most of the time, switching to Super Takumars when I want the lower contrast of single-coated lenses.
I don't worry about yellowing- I shoot a lot of black and white film and like the effect, which is equivalent to a very light yellow filter.
BTW, not everyone agrees the the 8 element Super Takumar is the Holy Grail of 50/1.4s. Both Mike Johnson and Gerstan van Oosten state that the 7 element version is better.
John